Reviews
Evoking shades of David Lynch, the Brothers Quay and H.P. Lovecraft, VFX master Phil Tippett's animated odyssey is a rotting…by Rue Morgue Manor
Alberto Belli's new horror comedy has a surprisingly deep message.by Rue Morgue Manor
Danny Trejo squares off against an Afghani monster in the new creature feature from the Hensman brothers. Is it worth…by Joel Harley
The characters superficially debate the morality of tampering with science when not running through repetitive scenes of dinosaur pursuit.by Michael Gingold
There’s no sense of cosmic justice here, just bad things happening to a bad person it’s impossible to care about.by Michael Gingold
It’s a hypnotic trip into a fully imagined environment that, for all its avant-garde qualities, touches relatable nerves.by Michael Gingold
Terror Films’ haunted attraction tale is a disjointed clash of styles that fails across all fronts.by Kevin Hoover
PLAYDURIZM creates a whole new neon canvas of pop art aesthetics that ends up drenched in discovery, acceptance, and blood.by Rue Morgue Manor
Ryan Coleman, our man at Cannes, looks at the surreal new film from visionary director Mark Jenkin.by Ryan Coleman
"Anthony [Vaccarello, Creative Director at Yves Saint Laurent] proposed to support me if I had any idea for a short…by Grace Detwiler
Director Russell Owen's latest is an atmospheric slow burn with an aural edge.by Rue Morgue Manor
Each attempts a game-changer of a twist in its second half, in both cases raising more questions than they offer…by Michael Gingold
A mixed-media tale of two sets of Southern Californian young people who find themselves in the wrong place at the…by Grace Detwiler
The movie doesn’t put in the work to dramatize its lead character’s evolution.by Michael Gingold
Like any successful horror/comedy, WHEN THE SCREAMING STARTS is both wholly terrifying and hilarious. Making comedy out of serial killing…by Grace Detwiler