Reviews

Filmmaker Patrick Biesemans' feature debut is a flawed but ambitious contemplation of AI and the afterlife.

The deceptively titled documentary barely breaks the skin with a superficial exploration of Aussie fang bangers.

It divides its time equally between the customs of its conjoined genres while pulling a few nifty twists on them.

[It’s done] with an enthusiasm that gives the audience a bloody good time from the very first scene.

It keeps you gasping and jumping and shivering in anticipation, while also smiling at its many clever touches.