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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Reviews
Fantasia ’22 Review: “Honeycomb” Bites in Unexpected Ways
Director and co-writer Avalon Fast effectively rises to the challenge of relaying the beauty and horrors of youth by, well,…
by
Rue Morgue Manor
Fantasia ’22 review: “BODIES BODIES BODIES” is nasty nasty nasty fun fun fun
It allows you to witness a series of horrible deaths with a great amount of glee, without feeling bad about…
by
Michael Gingold
Fantasia ‘22 Review: “Dark Nature” is a Creature Feature Worth Exploring
In her new feature, filmmaker Berkley Brady takes audiences on a terrifying trip through the forest.
by
Rue Morgue Manor
Fantasia ’22 review: “SADAKO DX” finds the right spirit to reboot the franchise
It gives the franchise’s tropes some much-needed ribbing while introducing a few necessary upgrades to Sadako’s m.o.
by
Michael Gingold
Fantasia ’22 review: “RESURRECTION” goes into the psychochiller Hall of fame
Semans and his two leads create a shuddery scenario that’s sort of a reverse stalking.
by
Michael Gingold
Album Boxed Set Review: Voïvod’s “FORGOTTEN IN SPACE” is out of this world
There is no doubt a whole lot of love was put in to make this edition extra-special and definitive.
by
Michael Gingold
Fantasia ’22 Review: The Frozen World of “POLARIS” Never Quite Warms the Heart
"POLARIS" sets out to create its own mythology with mixed results.
by
Deirdre Crimmins
Fantasia ’22 review: “THE HARBINGER” frighteningly combines real-world and otherworldly threats
The more we learn about the Harbinger’s endgame, the more tragic the potential consequences become, and the more concern we…
by
Michael Gingold
Movie Review: Say yes to distress in Jordan Peele’s “NOPE”
Peele conjures some of his most terrifying imagery and hold-your-breath sequences to date.
by
Michael Gingold
Fantasia ’22 review: “COUPEZ!” (“FINAL CUT”) takes one more crack at the satirical dead
Hazanavicius hasn’t tried to fix what wasn’t broke, with much of ONE CUT OF THE DEAD faithfully recreated. What’s new…
by
Michael Gingold
CD/Blu-ray Review: Anthrax’s 40th-anniversary XL livestream really is shining
This showcase for the band's greatest hits can now be both seen and heard on disc.
by
Michael Gingold
Movie Review: ’80s Nostalgia Anchors “THE BLOODY MAN”
Two Elm Street icons reunite in this frothy paean to horrors past.
by
Rue Morgue Manor
Music Review: Municipal Waste’s “ELECTRIFIED BRAIN” is gonna f*ck you up
This record is an awesome hoot, screaming to enter into heavy rotation on the playlist of your drive-in’s tailgates and/or…
by
Michael Gingold
Tribeca ’22 Movie Review: Motherhood is a frightening prospect in the engrossing “HUESERA”
The marriage of domestic dynamics with traditional folklore helps make HUESERA a singular achievement on the international horror scene.
by
Michael Gingold
Movie Review: Answer the frightening call of “THE BLACK PHONE”
The drama of the kids’ lives grips your attention even before THE BLACK PHONE gets to the scary meat of…
by
Michael Gingold
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