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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Review: “Dashcam” Packs Plenty of Thrills Into One Room
Christian Nilsson's meta thriller, starring Larry Fessenden, offers a clever, pandemic-time take on conspiracy theories.
by
Kevin Hoover
Movie Review: The horrors of “ANTLERS” will stick with you
It has more on its mind than many horror films, while also delivering the shocks and especially the atmosphere.
by
Michael Gingold
Movie Review: “THE MEDIUM” Offers A New Vision Of Spiritual Possession
As far as international horror is concerned, this Thai flick gets a rating well above medium.
by
Rue Morgue Manor
Movie Review: Don’t Bother To Awaken the Spirit of “OUIJA JAPAN”
Heavily influenced by "Battle Royale," Masaya Kato's debut feature may just be dull enough to put you out of your…
by
Kevin Hoover
TV Review: “CHUCKY” cuts up well on the small screen
It overall remains true to the tone of the movies that preceded it, and this jump to the small screen…
by
Michael Gingold
Movie Review: The new “SLUMBER PARTY MASSACRE” changes up the drill
It successfully balances a lighthearted tone with the suspense of who among the ensemble will survive.
by
Michael Gingold
Movie Review: The suspense bleeds out of “HALLOWEEN KILLS”
The study of the impact of trauma and horror on individual and collective psyches would land stronger if the film…
by
Michael Gingold
Movie Review: “IMPLANTED” gives body horror a hi-tech update
This sci-fi shocker explores the potential moral quandaries of nanotechnology, as bloodthirsty AI recruits an unwitting host.
by
Shawn Macomber
Movie Review: “VENOM: LET THERE BE CARNAGE” maximizes the odd-couple humor
Despite the title, the PG-13 rating is not pushed as much here as in VENOM.
by
Michael Gingold
Movie Review: There Are Few Signs of Life to be Found in Simon Barrett’s “SEANCE”
Barrett steps into the role of director resulting in a vaguely entertaining, if slightly lifeless supernatural slasher.
by
Jenn Adams
“Apartment 413” is An All-Too-Relatable Nightmare
Though completed before the events of 2020, Matt Patterson’s psychological horror film captures life in isolation in minute detail.
by
Jenn Adams
“Royal Jelly” is a Hive Without Honey
Sloppy execution, stilted performances, and an incoherent story keep this feminist fairy tale from ever taking flight.
by
Jenn Adams
Movie Review: “MALIGNANT” is WTF for both the right and wrong reasons
Too often, it’s hard to know whether Wan and co. are kidding or not.
by
Michael Gingold
FrightFest ’21 Review: Keep your eyes on “SLAPFACE”
An intelligent and sometimes deeply disturbing study of how trauma echoes down past the initial tragedy, with a creepy creature…
by
Michael Gingold
FrightFest ’21 Review: “THE CHANGED” for the better
What’s fresh and tantalizing in THE CHANGED is how seductive the change itself becomes to some of the small band…
by
Michael Gingold
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