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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Review: “The Devil’s Children” Is Frugal, Found Footage Fun!
Writer/director Dillon Brown's entry in the polarizing sub genre makes up for its minimal budget with a ton of heart.
by
Rue Morgue Manor
Movie Review: “Woodland Grey” Is A Slow Burn That Never really Catches Alight
WOODLAND GREY is slow and weird for weirdness sake, in a way that is neither thoughtful nor rewarding.
by
Rue Morgue Manor
Movie Review: Surreal, proletarian psych horror awaits the privileged in “HIDE AND SEEK”
This beautiful, disquieting remake of the 2013 Korean horror film delves into the inequity and iniquity of American society.
by
Shawn Macomber
Movie Review: “RESIDENT EVIL: WELCOME TO RACCOON CITY,” no surprises allowed
Fidelity to the original IP is certainly to be valued in a cinematic adaptation, but it shouldn’t be the only…
by
Michael Gingold
Movie Review: “GHOSTBUSTERS: AFTERLIFE” succeeds by the Grace of its young lead
Reitman handles the action sequences with verve, and whips up a few spooky setpieces too, but it would have been…
by
Michael Gingold
Movie Review: The alien-possessed consumers of “BLACK FRIDAY” are hungry for blood, not bargains
A toy-store-set, Bruce Campbell-starring satirical monster-carnage romp in time for Thanksgiving? Yes, please!
by
Shawn Macomber
Movie Review: “GREAT WHITE” Has A Shark Problem
Any successful shark attack movie lives and dies based on two elements: engaging human characters and believable effects. GREAT WHITE…
by
Jenn Adams
Movie Review: “DEAD AND BEAUTIFUL” is an Apt Title for a Gorgeous, but Lifeless Film
Though the film is gorgeous, it is essentially a rather lifeless story dressed up in extravagance.
by
Jenn Adams
Movie Review: Malaysian chiller “ROH” has the right spirit
It will appeal to those curious about the international horror scene and fans of slow-burn, atmospheric terror, even if it…
by
Michael Gingold
Salem Horror Fest ’21 Review: “6:45” Is a Story of Love, Violence, and Never-Ending Loss
With a clever conceit and an engaging central couple, Craig Singer's time loop horror film is built to last.
by
Jenn Adams
Salem Horror Fest ’21 Review: “Wicked Games” is Brutal, Devilish Fun
Director Teddy Grennan tells the story of a luxurious resort home invaded by masked killers in an innovative way that…
by
Jenn Adams
Salem Horror Fest ’21 Review: “Two Witches” Casts a Dark and Magical Spell
By lovingly digging up dusty old genre tropes and presenting them on a bright, bloody, silver platter, Pierre Tsigaridis manages…
by
Rue Morgue Manor
Movie Review: The idyllic Vermont getaway receives a hellish makeover in “NIGHT AT THE EAGLE INN”
It quickly brings its fully realized characters to life, sets the stakes—and then raises them again and again until the…
by
Shawn Macomber
Salem Horror Fest ’21 Review: “The Free Fall” is a Terrifying Twist on a Familiar Story
Director Adam Stilwell crafts a lush and mysterious psychological horror film that draws the audience in with its stylish atmosphere…
by
Jenn Adams
Movie Review: “PARANORMAL ACTIVITY: NEXT OF KIN” is a miss with the Amish
It’s second-hand and overly familiar, and misses the chance to truly re-energize the PARANORMAL franchise.
by
Michael Gingold
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