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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: Classes are in insane session in “BOARDING SCHOOL”
It’s all bizarre enough for BOARDING SCHOOL to be disreputably entertaining…and Jacob is an intriguing enough young hero to keep…
by
Michael Gingold
Movie Review: The affecting, harrowing “GET MY GUN” proves vengeance is a dish best served twice
Anchored by a smart script and a stellar lead performance, this is a big cut above the usual revenge fare.
by
Michael Gingold
Movie Review: “THE LITTLE STRANGER” is of little interest
This is less a review than a public service announcement for genre fans who might be lured by THE LITTLE…
by
Michael Gingold
Movie Review: “LET THE CORPSES TAN” is a strange, wondrous and brutal smorgasbord
This audacious new film from AMER and THE STRANGE COLOR OF YOUR BODY’S TEARS directors Hélène Cattet and Bruno Forzani…
by
Michael Gingold
Meet the Guys Behind “Ghoul”, Netflix’s First Indian horror Series
Available on Netflix since August 24th, the three-part miniseries GHOUL is the brainchild of Patrick and Matt Graham, featured here…
by
Rue Morgue Manor
Exclusive Interview: Samantha Mathis talks “BOARDING SCHOOL,” her Blumhouse/Hulu movie, “THE BEAST WITHIN” and more
Before heading off to the titular freaky institution in BOARDING SCHOOL, young Jacob (Luke Prael) has to deal with night…
by
Michael Gingold
Movie Review: “POOL PARTY MASSACRE” is a blood splattered homage to 80s slasher flicks
If you've ever seen a slasher from the eighties and enjoyed the over the top bad acting, buckets of blood,…
by
Chris Hammond
Exclusive Interview: Hélène Cattet and Bruno Forzani on “LET THE CORPSES TAN” and their NYC screening series
The directing debut dig into their latest exercise in violent genre style and the movies that motivate them.
by
Michael Gingold
Threezero Takes Aim With Its “Walking Dead Daryl Dixon 1/6 Scale Figure”
The Daryl Dixon figure incorporates multiple points of articulation and stands 12 inches in height.
by
Chris Hammond
Movie Review: “THE HAPPYTIME MURDERS” is a feeble attempt at puppet shock
THE HAPPYTIME MURDERS is both a failure of imagination and a failure of nerve.
by
Michael Gingold
Threezero Says Hello To Lucille With Its “Walking Dead 1/6 Scale Negan Figure”
Negan, like him or hate him is a very important part of The Walking Dead universe and Threezero has made…
by
Chris Hammond
Movie Review: “WHAT KEEPS YOU ALIVE” has some startling and scary secrets
There’s more than enough to its story, technique and performances to keep it alive through the final shot.
by
Michael Gingold
MOVIE REVIEW: SHIP THE COPYCAT “[CARGO]” BACK TO SEA
To call [CARGO] simple is to undermine the word “simple”. It’s less than that. It’s a single-location film equivalent to…
by
Bryan Yentz
Exclusive Interview: AnnaSophia Robb goes “DOWN A DARK HALL” and recalls “THE REAPING”
The young star chats with us about her roles in the new Lois Duncan adaptation and the 2007 religious chiller.
by
Michael Gingold
Movie Review: “DOWN A DARK HALL” is schooled in Gothic atmosphere
Though it focuses on high-school-age heroines, DOWN A DARK HALL belongs to a more classical horror tradition and will likely…
by
Michael Gingold
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