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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Fantastic Fest ’18 Interview: Crafting the perfectly imperfect cop in “DESTROYER”
RM catches up with director Karyn Kusama, along with the film’s two writers and frequent collaborators Phil Hay and Matt…
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: Mockumentary “FERAL” ignites ire and fire
Director Andrés Kaiser's FERAL uses the mockumentary format to its advantage, and keeps us guessing right up to the very…
by
Deirdre Crimmins
Exclusive interview/photos: Doug Bradley talks his role on Amazon’s “LORE”
The Amazon Prime Video series returns with a second season October 19, and it’s coming back with a horror star…
by
Michael Gingold
Fantastic Fest ‘18 Review: Peter Strickland’s “IN FABRIC” sews terror into one beautiful red dress
Horror seems to have a preoccupation with haunted houses and possessed dolls but Peter Strickland's latest tackles a haunted garment…
by
Deirdre Crimmins
Movie Review: “EXTREMITY” lives up to its title
This journey, rendered tautly and viscerally, proves very nearly as disorienting and dread-inducing for the viewer as it is for…
by
Michael Gingold
Movie Review: “HOUSEWIFE” is a colorfully twisted experience
From minute one, the scenario is stark, compelling and disjointed, like a memory of a Technicolor horror flick you caught…
by
Michael Gingold
MOVIE REVIEW: “SLEEP NO MORE” is a cinematic sedative
SLEEP NO MORE is not a good horror film. That’s not to say it’s awful, but it just might put…
by
kleurvision
Fantastic Fest ‘18 Review: “BORDER” Brings a Genre Twist to a Classic Tale
BORDER is not a horror film in any real way, but is does use the body as a tool for…
by
Deirdre Crimmins
Exclusive: Bill Moseley says “3 FROM HELL” will be full of “gratuitous violence”
Now that the film has wrapped and Rob Zombie is deep into editing, star Bill Moseley says it won’t disappoint…
by
Michael Gingold
Exclusive Interview: Jason Blum Chats “The First Purge” And New TV Series
Producer and genre-hero JASON BLUM discusses these recent inclusion to THE PURGE franchise, as well as the market for horror…
by
Rue Morgue Manor
Movie Review: “Mermaid’s Song” Stinks Like Low Tide
Wild Eye Releasing's horror take on The Little Mermaid never finds its sea-legs.
by
Rocco T. Thompson
Fantastic Fest ‘18 Interview Nicolas Pesce: Adapting Murakami’s “PIERCING” for Screen
We sit down with director Nicolas Pesce to discuss adapting the novel for the screen.
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: “THE PERFECTION” gives us body horror with a smirk
Playfulness and body horror anchor Richard Shepard's unusual film in some incredibly entertaining waters. http://sumo.ly/ZyRE
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: “MAY THE DEVIL TAKE YOU” unleashes Indonesian hell
A look at director Timo Tjahjanto's classically-rooted film of familial terror.
by
Deirdre Crimmins
Movie Review: “SUSPIRIA” casts a different, engrossing spell
Not since Stanley Kubrick adapted Stephen King’s THE SHINING has a filmmaker from outside the genre gotten ahold of a…
by
Michael Gingold
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