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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: “BLACK WAKE” gives found footage and the Old Ones a rousing shot in the arm
Despite some stilted moments, BLACK WAKE is a wild, engaging feature that is not at all reluctant to embrace its…
by
Michael Gingold
THE WEIRD, TRUE LIFE INCIDENT THAT INSPIRED “THE BLOB”
Did you know "THE BLOB" was actually inspired by real encounters of pulsating, purple jelly organisms falling from the sky?…
by
kleurvision
Fantasia ’18 Review: “MONTRÉAL DEAD END” is provincial literally and figuratively
It might have aimed to put Montreal on the horror map as a hotbed of filmmaking talent, but is so…
by
Michael Gingold
Fantasia ’18 Review: A long, slow trip around the world with “THE FIELD GUIDE TO EVIL”
There just isn’t enough variety to support a nearly two-hour running time across eight different shorts.
by
Michael Gingold
“SCARY STORIES” INSPIRED ARTIST TALKS “DEATH OF THE ENGLISH LANGUAGE” AND HELLISH ART
You're never going to look at the words "Bae" or "LOLZ" the same.
by
kleurvision
Fantasia ’18 Review: Fans of surreal horror can’t “LUZ” with this one
Writer/director Tilman Singer’s unique mood piece is confounding and engrossing in equal measure.
by
Michael Gingold
Fantasia ’18 Review: Sympathy for a shapeshifter in “LIFECHANGER”
Writer/director Justin McConnell takes a thoughtful approach to the material that still allows for a number of scary and gruesome…
by
Michael Gingold
Fantasia ’18 Review: A slow-burning, bone-chilling world of “HURT”
Once the horror truly takes hold, it doesn’t do so in the expected ways… The places it does eventually go…
by
Michael Gingold
Fantasia ’18 Review: You can’t take your eyes off “CAM”
The titillation remains between the people on screen, as the thrills the movie seeks to elicit from the audience are…
by
Michael Gingold
Movie Review: Love, loss and nasty spirits converge at “OUR HOUSE”
A cautionary tale about the iniquities and violence that can be visited upon corporeal humans when we veer into the…
by
Michael Gingold
Fantasia ’18 Review: “CHUCK STEEL: NIGHT OF THE TRAMPIRES” is an ’80s-homaging, puppet-splattering blast
Just when you thought it wasn’t safe to be politically incorrect, along comes CHUCK STEEL: NIGHT OF THE TRAMPIRES to…
by
Michael Gingold
Fantasia ’18 Review: “PUPPET MASTER: THE LITTLEST REICH” makes you squirm for the wrong reasons
On one hand, it’s dumb, gory fun with familiar little baddies; on the other hand, using the vernacular of the…
by
Michael Gingold
Movie Review: “Euthanizer” is a Finnish Traumedy for the Animal-Loving Misanthrope
We take a look at Teemu Nikki's gutsy debut feature!
by
Rocco T. Thompson
Fantasia ’18 Review: The dead have scary things to say in “THE NIGHTSHIFTER”
With his long-awaited feature directorial debut, Dennison Ramalho solidifies his status as a serious talent on the international horror scene.
by
Michael Gingold
Horror and Transcendence: An Interview with Pascal Laugier
RUE MORGUE talks with Pascal Laugier about his latest twisted tale of horror and transcendence in the highly anticipated INCIDENT…
by
Rue Morgue Manor
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