Columns
As feel-good as zombie movies get, ANNA AND THE APOCALYPSE is a brightly wrapped present for both horror fans and…by Michael Gingold
A staggeringly unfunny mix of sports and zombies that qualifies only as an 80-minute foul.by Michael Gingold
GOOD MANNERS is a film that actively strives to make viewers uncomfortable — in its subject matter, in its insistence…by kleurvision
We take a closer look at a pair of Limited Edition Blu-ray releases from Vestron Video.by kleurvision
RUE MORGUE selects spooky provisions for your pantry.by Rue Morgue Manor
Director Jason DeVan is clever and bold enough to give the emotional element as much heft and breathing room as…by Michael Gingold
A series of disjointed vignettes with no real narrative guidance, strewn with cheesy CGI and long stretches of fumbling around…by Michael Gingold
Writer/director Josh Mendoza not only displays a deft sense of pacing and characterization, but also proves himself extraordinarily adept at…by Michael Gingold
Welcome to Tomb of the Spine-Tingling Tome, a new column exploring the darkest corners of literature. For this inaugural edition,…by Michael Gingold
A pretty entertaining piece of expensive pulp filmmaking, perfect for late-summer turn-off-the-brain viewing.by Michael Gingold
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it…by Bryan Yentz
Cut Short Interviews is a new segment devoted to directors who specialize in short horror films. Our first Q&A will…by kleurvision
Christian Alexander Morán’s LET'S PLAY DEAD GIRL is a short film that explores the motivations that drove two 12-year-old girls…by Rue Morgue Manor
While the thriller-on-the-internet trope has been done before, SEARCHING offers a tense and engaging experience backed by genuine emotion.by Rue Morgue Manor
Over the past 10 years, magician TIM WISSEMAN has become one of the most respected producers of haunted props and…by Rue Morgue Manor