Skip to main content
Skip to footer
Opens in a new tab
Subscribe
Search the Manor
Search
×
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Review: “Dawn of the Beast” Is the Versus Film Nobody Asked For
But don't skip Bruce Wemple's new cryptid-on-cryptid matchup if you like seeing rubbery B-movie monsters wail on each other.
by
Rue Morgue Manor
Movie Review: “THE UNHOLY” becomes difficult to believe in
The challenge of condensing James Herbert’s sprawling novel into a single feature film is one Spiliotopoulos hasn’t surmounted.
by
Michael Gingold
Movie Review: “GODZILLA VS. KONG” delivers the battle we’ve been waiting for
It delivers on the long-anticipated promise of its title, and demands to be seen (safely) on the biggest screen possible.
by
Michael Gingold
Severin Films Brings The Rotten Opulence of “Nosferatu in Venice” To Blu-ray
In his penultimate role, Klaus Kinski plays a knock-off version of the infamous count against a stunningly eerie Venice backdrop.
by
Rocco T. Thompson
Movie Review: “THE SEVENTH DAY” seems a couple of days short
The initial amusement at the appropriation of TRAINING DAY-esque standards for a supernatural scenario runs dry as the familiar beats…
by
Michael Gingold
SXSW 2021 Review: “Woodlands Dark and Days Bewitched: A History of Folk Horror” Digs Deep Beneath the Subgenre’s Surface
Kier-La Janisse’s massive documentary is a crucial watch for every horror fan.
by
Rue Morgue Manor
Movie Review: “THE ARBORS” steadily and surely creeps up on you
It’s a carefully controlled, well-thought-out and finely crafted film that’s being sold as a monster movie but is really a…
by
Michael Gingold
SXSW ‘21 Movie Review: “The Spine of Night” Brings An Ax To A Knife Fight
Philip Gelatt and Morgan Galen King craft an imaginative world without flinching or sparing the audience from trauma.
by
Deirdre Crimmins
Movie Review: Enjoy Your Ride Through The Sleek, Stylized World of “Drive All Night”
Peter Hsieh's crime caper actually lives up to its "neo-noir" moniker.
by
Rue Morgue Manor
SXSW ’21 Movie Review: “PAUL DOOD’S DEADLY LUNCH BREAK” is like “JOKER” with more jokes
It's an uneven and uneasy marriage of media-age satire and over-the-top bloodshed.
by
Michael Gingold
Movie Review: “HAWK & REV: VAMPIRE SLAYERS” Is Gory Goofiness
Ryan Barton-Grimley's ode to cheese is an easy recommend for anyone who loves making fun of '80s movies.
by
Rue Morgue Manor
SXSW 2021 Review: “BROADCAST SIGNAL INTRUSION” is an Eerie Mystery Drenched in Analog Terror
Balancing style with substance is a tricky thing, and while not fully successful, Jacob Gentry's techno-noir plays a good game.
by
Rue Morgue Manor
SXSW 2021 Review: Nature Is Not Your Friend In “GAIA”
South African director Jaco Bouwer plants his own flag on environmental horror.
by
Deirdre Crimmins
SXSW ’21 Movie Review: “OFFSEASON” is a frightening place to visit
It will make you think twice about getting back to taking road trips.
by
Michael Gingold
Movie Review: Locked-Room Mysteries Get A High Tech Upgrade in “The Tangle”
Christopher Soren Kelly's sci-fi mystery defies classification.
by
Rue Morgue Manor
←
1
…
39
40
41
42
43
…
46
→