Reviews

Don’t expect the buildup of tension and satisfaction of seeing justice done that one traditionally finds in revenge pictures.

The bar is already low for good horror and martial arts crossovers, but "Hellkat" manages to limbo right under it.

Writer/director Sean Ellis provides sufficient intrigue to hook monster-movie fans of all stripes.

WE’RE ALL GOING TO THE WORLD’S FAIR understands unease in the ambiguous, and teases certainty to toy with the audience.

Ultimately, Ben Wheatley's newest endeavor is more about delivering a sensory experience than an emotional one.

It always encourages our sympathy for its protagonist even as her spirituality leads to suffering.

Mauro Iván Ojeda's debut feature is equal parts "Hereditary" and "Insidious."

The lines between screen and actual terror become blurred in ways that keep you guessing and intrigued, and don’t strain…

Justin McConnell’s personal documentary is both inspiring and surprisingly pragmatic

Its sociopolitical edge is more admirable in ambition than successful in execution.

Jorge Olguín's real-time haunting film never quite connects the dots.

Despite its childish and cartoonish sense of humor, there is nothing “PG” about PSYCHO GOREMAN.

It feels as fresh today as it did when it opened in 1990, and its pleasures are only compounded by…

Alex Knapp writes, directs, and stars in this effective post-apocalyptic drama.

The key issue is that Aurore’s specific backstory doesn’t inform the present-day story in any meaningful way.