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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Film
Fantasia ’22 Interview: Director Berkley Brady Chats “Dark Nature”
Rachel Reeves catches up with the Calgary filmmaker at Fantasia '22 to discuss her terrifying nature horror film.
by
Rue Morgue Manor
Fantasia ’22 review: “SPEAK NO EVIL,” see no escape, feel the chill
One of those movies that really sucks you into wondering how you would respond in a similar situation, watching with…
by
Michael Gingold
Exclusive, splattery photos from indie shocker “THE ART OF KILLING”
Guess what the key color is on this “artist’s” palette?
by
Michael Gingold
Fantasia ’22 exclusive: Filmmakers talk supernatural chiller “SURGAT,” to star “STRANGER THINGS’” Francesca Reale
Six years after winning a top award at Montreal’s Fantasia International Film Festival, writer/directors Michael Borowiec and Sam Marine returned…
by
Michael Gingold
Fantasia ’22 exclusive: “HONEYCOMB’s” Avalon Fast talks her next trip to “CAMP”
While up-and-coming filmmaker Avalon Fast was at the Fantasia International Film Festival to host the Quebec premiere of her debut…
by
Michael Gingold
Fantasia ’22 Review: “Honeycomb” Bites in Unexpected Ways
Director and co-writer Avalon Fast effectively rises to the challenge of relaying the beauty and horrors of youth by, well,…
by
Rue Morgue Manor
Audience awards announced for 2022 Fantasia International Film Festival
Over 130 features and 200 shorts were screened at the just-concluded Montreal event, and now the public’s choices for the…
by
Michael Gingold
Fantasia ’22 review: “BODIES BODIES BODIES” is nasty nasty nasty fun fun fun
It allows you to witness a series of horrible deaths with a great amount of glee, without feeling bad about…
by
Michael Gingold
Fantasia ‘22 Review: “Dark Nature” is a Creature Feature Worth Exploring
In her new feature, filmmaker Berkley Brady takes audiences on a terrifying trip through the forest.
by
Rue Morgue Manor
Fantasia ’22 review: “SADAKO DX” finds the right spirit to reboot the franchise
It gives the franchise’s tropes some much-needed ribbing while introducing a few necessary upgrades to Sadako’s m.o.
by
Michael Gingold
Fantasia ’22 review: “RESURRECTION” goes into the psychochiller Hall of fame
Semans and his two leads create a shuddery scenario that’s sort of a reverse stalking.
by
Michael Gingold
Fantasia premiere “HOUSE OF DARKNESS” gets release dates, a trailer and poster
Filmmaker Neil LaBute immerses us in the seductive side of horror in his latest movie.
by
Michael Gingold
Fantasia ’22 Review: The Frozen World of “POLARIS” Never Quite Warms the Heart
"POLARIS" sets out to create its own mythology with mixed results.
by
Deirdre Crimmins
Fantasia ’22 review: “THE HARBINGER” frighteningly combines real-world and otherworldly threats
The more we learn about the Harbinger’s endgame, the more tragic the potential consequences become, and the more concern we…
by
Michael Gingold
Fantasia ’22 review: “COUPEZ!” (“FINAL CUT”) takes one more crack at the satirical dead
Hazanavicius hasn’t tried to fix what wasn’t broke, with much of ONE CUT OF THE DEAD faithfully recreated. What’s new…
by
Michael Gingold
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