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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Reviews
Movie Review: Shyamalan’s “KNOCK AT THE CABIN” is worth answering
It has a terrific setup that establishes plenty of dramatic conflicts and questions.
by
Michael Gingold
Movie Review: Cosmic Horror and Found-Footage Collide in “THE OUTWATERS”
What starts off as an attempt to resurrect the naturalistic found-footage style of sub-genre giant The Blair Witch Project, disintegrates…
by
Grace Detwiler
Movie Review: Muddled chiller gives you little to “FEAR”
Taylor can’t seem to figure out what kind of fears he wants to focus on: the very modern anxieties engendered…
by
Michael Gingold
Sundance ’23 Movie Review: Brandon Cronenberg’s “INFINITY POOL” is some perversely original IP
Even given the graphic excesses of his prior work, this is Cronenberg’s most explicit, extreme vision yet.
by
Michael Gingold
Movie Review: “GHOSTS OF MONDAY” Is Atmospheric But Misses the Mark
Jam-packed with genre tropes, the new supernatural thriller starring Julian Sands is an atmospheric but confusing mess.
by
Chris Hammond
Movie Review: “SKINAMARINK” will make you a frightened child again
A 100-minute tribute to the power – and art – of suggestion.
by
Michael Gingold
Movie Review: “M3GAN” is funny and frightening while it toys with current concerns
A fun/scary film that represents the latest evolution in killer-doll entertainment.
by
Michael Gingold
MOVIE REVIEW: THE SOSKA SISTERS’ “ON THE EDGE” STRANGLES ITS SADISTIC PREMISE
ON THE EDGE believes it’s subversive – using BDSM sexplay as a way to find emotional healing. However, its lack…
by
Rue Morgue Manor
Michael Gingold’s Best Horror Films of 2022
Fear flicks explored all kinds of interesting and intense avenues this year, finding new ways to address classic subjects and…
by
Michael Gingold
Movie Review: A Serial Killer Meets His Match In Shudder’s Psychedelic “A WOUNDED FAWN”
Giallo influences combine with Lynchian surrealism in Travis Stevens' (Girl on the Third Floor, Jakob’s Wife) Shudder Original A WOUNDED…
by
Grace Detwiler
Movie Review: Slay bells ring in “VIOLENT NIGHT”
Fans of David Harbour’s work on STRANGER THINGS will be particularly sated by his arc here.
by
Michael Gingold
Movie Review: Netflix’s “TROLL” follows entertainingly enough in many giant footsteps
The Norwegian monster epic demonstrates that familiar beats can still be fun.
by
Michael Gingold
Movie Review: Love Will Swallow You “BONES AND ALL” In Luca Guadagnino’s Latest
Young ‘eater’ Maren (Taylor Russell) falls in love with an unusual young man (Timothée Chalamet) and gives into her nature…
by
Grace Detwiler
Movie Review: Best Friends Must Choose to Ride or Die in “THE FRIENDSHIP GAME”
A close-knit group of teens has their bonds tested after interacting with a sinister puzzle called THE FRIENDSHIP GAME and…
by
Grace Detwiler
Blu-ray Review: 2003 Cult Classic “BLOOD OF THE CHUPACABRAS” is SOV Cryptid Carnage at its Finest
Visual Vengeance infuses their already impressive shot-on-video reissue catalog with a collector's edition Blu-ray of Johnathan Mumm's influential goatsucker epic.
by
Kevin Hoover
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