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That Time Chucky Scared the Crap Out of John Waters
Straight from the archives: the legendary filmmaker dishes on his beloved sickos, psychos, freakshows and more!
Finland Gives Birth to Horror in “RUE MORGUE #205” Mar/Apr 2022 Issue
RUE MORGUE rings in the Spring season with HATCHING, the new horror film by Finnish filmmakers HANNAH BERGHOLM and ILJA RAUTSI. Also features Rautsi’s HELSINKI MANSPLAINING MASSACRE and NIGHT OF THE LIVING DICKS, along with a look at the Finnish fantasy epic SAMPO (a.k.a. THE DAY THE EARTH FROZE) and lots more!
Movie Review: Dan Riddle’s “The Last Possession” Is An Intriguing Concept That Misses the Mark
It’s long past due for an enterprising filmmaker to hang a fictional narrative on the subject of alien hauntings, something that will wildly and popularly reimagine the entire horror genre. Director Dan Riddle’s THE LAST POSSESSION, alas, is not that movie.
Thomas Hamilton and Ron MacCloskey On “Boris Karloff: The Man Behind The Monster”
We sit down with the documentary filmmakers to discuss why Karloff remains relevant to the horror genre over a half-century since his death.
Gloria Lynne Henry Revisits Her Role In “Phantasm III”
As the nunchuck-wielding Rocky, Henry gave Black audiences a horror hero to root for.
“HERE ALONE” creator unveils creepy “BABYGIRL” proof-of-concept video
There’s something new and nasty lurking in this filmmaker’s woods.
Plants That Kill in “THE RUINS” (2008) & “GAIA” (2021)
In this first edition of Bad Mother Nature, Rue Morgue’s Online Assistant Editor delves into the killer vines and fungi of two Eco-horror films.
Check Out A Clip From “World Ends At Camp Z”
The highly-anticipated Canadian zombie thriller from Ding Wang is now available on digital.
Movie Review: The “TEXAS CHAINSAW MASSACRE” is getting a little rusty
It’s astronomically bloodier than Tobe Hooper’s trendsetter, yet it never feels nearly as frightening.
Movie Review: “A BANQUET” Feasts on Family Trauma
Ambiguity and family trauma seep throughout the tense fabric of Ruth Paxton’s THE BANQUET.











