TIE-IN ME UP, TIE-IN ME DOWN: “STORM WARNING: THE NOVELIZATION” IS A TURBULENT WORK OF 2000s OZPLOITATION By JOEL HARLEY If Jamie Blanks’ STORM WARNING felt like a throwback to the rape-revenge films of the 1970s, that’s because the screenplay had been knocking around...
TIE-IN ME UP, TIE-IN ME DOWN: JASON GOES BACK TO HELL IN “FRIDAY THE 13TH: HELL LAKE” By JOEL HARLEY When this column first debuted back in January 2024, it did so as a thinly veiled excuse to read and write about every single one of Black Flame Press’ Friday the 13th...
Deadly and Digital: How Early Internet Horror Paved The Way For YouTube’s Hollywood Takeover By HANNAH HUGHES With the overwhelming box-office success of Kane Parsons’ Backrooms and Curry Barker’s Obsession, YouTube has opened up a new avenue for...
Rue Morgue’s Summer Slasher Issue Draws First Blood (#231 Jul/Aug 2026) RUE MORGUE #231 has arrived with blood on its hands and summer on its mind — a full-issue spotlighting the slasher movie’s latest turns in film, fiction, and a decade of gaming’s...
INTERVIEW: Filmmaker Mark O’Brien On “The Voices of Our Mother.” By PAT KING In THE VOICES OF OUR MOTHER, Sheila McCarthy plays Harriet, an emotionally abusive mother of four adult children. After her own mother dies in her 90s, Harriet starts to act strangely. She...
