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Movie Review: Dan Riddle’s “The Last Possession” Is An Intriguing Concept That Misses the Mark
It’s long past due for an enterprising filmmaker to hang a fictional narrative on the subject of alien hauntings, something that will wildly and popularly reimagine the entire horror genre. Director Dan Riddle’s THE LAST POSSESSION, alas, is not that movie.
Thomas Hamilton and Ron MacCloskey On “Boris Karloff: The Man Behind The Monster”
We sit down with the documentary filmmakers to discuss why Karloff remains relevant to the horror genre over a half-century since his death.
Gloria Lynne Henry Revisits Her Role In “Phantasm III”
As the nunchuck-wielding Rocky, Henry gave Black audiences a horror hero to root for.
“HERE ALONE” creator unveils creepy “BABYGIRL” proof-of-concept video
There’s something new and nasty lurking in this filmmaker’s woods.
Plants That Kill in “THE RUINS” (2008) & “GAIA” (2021)
In this first edition of Bad Mother Nature, Rue Morgue’s Online Assistant Editor delves into the killer vines and fungi of two Eco-horror films.
Check Out A Clip From “World Ends At Camp Z”
The highly-anticipated Canadian zombie thriller from Ding Wang is now available on digital.
Movie Review: The “TEXAS CHAINSAW MASSACRE” is getting a little rusty
It’s astronomically bloodier than Tobe Hooper’s trendsetter, yet it never feels nearly as frightening.
Movie Review: “A BANQUET” Feasts on Family Trauma
Ambiguity and family trauma seep throughout the tense fabric of Ruth Paxton’s THE BANQUET.
Gracie Gillam On Her Crazy Role In “SUPERHOST”
What if your popular vacation rental review site started losing viewers all of a sudden? How far would you go to capture something people would want to see? Gracie Gillam finds out in SUPERHOST. Read her conversation with Rue Morgue here!
“The Nesting” Unexpectedly Champions Therapy & Sex Work
Armand Weston’s gory 1981 haunted house chiller makes up for its dullness with a surprisingly modern attitude towards mental health.











