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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Archives
Movie Review: “HOUNDS OF LOVE” has a merciless, riveting bite
Australian cinema has a strong track record with true-crime dramas, but perhaps none has delved so deep into the dark,…
by
Michael Gingold
Exclusive Interview: The cast of “HOUNDS OF LOVE” talk madness, music and more, Part Two
The powerfully disturbing Australian crime/horror thriller HOUNDS OF LOVE will likely be a breakout film for its first-time writer/director Ben…
by
Michael Gingold
Movie Review: “ALIEN: COVENANT” is an uneasy evolution of the franchise
ALIEN: COVENANT remains uncomfortably stranded between pushing the material in new directions and giving the die-hard devotees what they want.
by
Michael Gingold
Exclusive Interview: The cast of “HOUNDS OF LOVE” talk trust amidst terror, Part One
In HOUNDS OF LOVE, opening this Friday, Emma Booth, Ashleigh Cummings and Stephen Curry go to some of the most…
by
Michael Gingold
Movie Review: Fall under the spell of “A DARK SONG”
There have been many horror films about the consequences of raising or communicating with a dead child, but not many…
by
Michael Gingold
First set visit/exclusive comments and photos: Glass Eye Pix’s punk horror film “THE RANGER”
Most of Jenn Wexler’s THE RANGER takes place in the great outdoors where the title character does his dirty work,…
by
Michael Gingold
Tribeca ’17 Movie Review: “THE ENDLESS” messes with your mind in the best way
After exploring very strange love in their second feature SPRING, Justin Benson and Aaron Moorhead literally return to the territory…
by
Michael Gingold
Exclusive: Bill Moseley on playing his first killer clown in CREPITUS
Bill Moseley is he’s donning face paint for a fright film called CREPITUS, and gave RUE MORGUE some exclusive words…
by
Rue Morgue Manor
Tribeca ’17 Movie Review: A world gone mad in Mickey Keating’s “PSYCHOPATHS”
Rising horror director Mickey Keating has been exploring insanity for his last few films, and after the monochromatic psychodrama of…
by
Michael Gingold
Movie Review: “THE BLACKCOAT’S DAUGHTER” leaves you frozen with fear
Today’s theatrical/VOD release of THE BLACKCOAT’S DAUGHTER has been a long time coming, as it debuted at the Toronto Film…
by
Michael Gingold
Movie Review: The quiet but powerful fear of being “HERE ALONE”
The film makes a virtue out of focusing on the people trying to survive a viral apocalypse rather than on…
by
Michael Gingold
Exclusive interview: Filmmaker Osgood Perkins on birthing “THE BLACKCOAT’S DAUGHTER”
The latest slow-burn horror sensation is writer/director Osgood Perkins’ THE BLACKCOAT’S DAUGHTER, which chilled audiences to the bone at multiple…
by
Michael Gingold
Exclusive interview: Marta Mazurek on her amorous, murderous mermaid in “THE LURE”
Currently playing select theatrical dates around the country (it next opens in Los Angeles and Ithaca, NY on Friday), Agnieszka…
by
Michael Gingold
JG Thirlwell’s IMPONDERABLE score is sublime and spooky
The music JG Thirlwell has composed for Tony Oursler’s multimedia installation IMPONDERABLE evokes something that is both elusive and occult.
by
Aaron Von Lupton
Exclusive Interview: Writer/director Jordan Peele on the outsider horror of “GET OUT”
For most of the 2000s, Jordan Peele has been making us laugh as an actor, and now he’s about to…
by
Michael Gingold
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