Archives
Currently playing in New York City and heading to more cities in the coming weeks (see schedule below), THE LURE…by Michael Gingold
It doesn’t offer much that’s fresh, and the promised battle royale between ghost girls is a letdown.by Michael Gingold
This little mermaid is no Disney character: She hungers for both love and human flesh in THE LURE, which begins…by Michael Gingold
The pitch on the documentary 78/52 is that it’s an in-depth exploration of the shower scene in Alfred Hitchcock’s PSYCHO,…by Michael Gingold
We previously told you about the upcoming indie chiller CLOSE CALLS, and now we’ve got the exclusive first look at…by Michael Gingold
Debuting director Glenn Douglas Packard has a background as an Emmy-winning choreographer—which might explain why PITCHFORK is the same old…by Michael Gingold
P.J. Starks, producer of the VOLUMES OF BLOOD anthologies, got in touch with the first details and the latest poster…by Michael Gingold
Polish genre film is certainly having one hell of a year. From the archetypically murderous mermaid musical THE LURE to…by Michael Gingold
A few years back, a marvelously atmospheric horror short called FOXES played the festival circuit, showcasing a pair of burgeoning…by Michael Gingold
During this summer’s Frontières International Co-Production Market at Montreal’s Fantasia festival, RUE MORGUE got the chance to chat with several…by Michael Gingold
A scary and imaginative take on seeing dead people.by Michael Gingold
It’s like Korea’s WORLD WAR Z, and it knocks the American one on its ass.by Michael Gingold
If you see only one horror/fantasy/romance/musical/mermaid movie this year… But seriously, the achievement of THE LURE is that it manages…by Michael Gingold
What a strange and beguiling movie is THE MASTER CLEANSE, which quietly refuses to take the easy or expected path.…by Michael Gingold
Timothy Vandenberg’s AGATHA is a gripping short that fills the viewer with a sense of dread from start to finish.by Rue Morgue Manor