Columns
Troma takes on Brooklyn's gentrified Millenials in the sequel to the 2015 slasher spoof.by Rue Morgue Manor
Barbara Kingsley was kind enough to chat with Rue Morgue recently about her upcoming film, HONEYDEW. Written and directed by…by Rue Morgue Manor
Playful gore can't hide the film's glaring inconsistencies in character and tone.by Deirdre Crimmins
THE FEAST is a perfect example why you should avoid dinner parties at all costs.by Deirdre Crimmins
The minds behind the horror actual-play D&D podcast give us the lowdown on the future of the project and their…by kleurvision
With her second feature, writer/director Corinna Faith demonstrates an unerring sense of composition and staging to create maximum moodby Michael Gingold
While a visual triumph, Amazon's new series will be a tough watch for many with its relentless approach to Black…by kleurvision
From Hellbound Books, Patrick Querney's thriller is a fresh, extreme take on a well-worn genre.by kleurvision
The '80s icon tells us all about hosting the new paranormal docu-series.by Rue Morgue Manor
But don't skip Bruce Wemple's new cryptid-on-cryptid matchup if you like seeing rubbery B-movie monsters wail on each other.by Rue Morgue Manor
The composer brings subtle layers of information and key emotional weight to Jacob Johnston's EDM slasher.by Rue Morgue Manor
The challenge of condensing James Herbert’s sprawling novel into a single feature film is one Spiliotopoulos hasn’t surmounted.by Michael Gingold
It delivers on the long-anticipated promise of its title, and demands to be seen (safely) on the biggest screen possible.by Michael Gingold
The prolific screenwriter talks all about the Sam Raimi-produced James Herbert adaptation, and the long road to getting it made.by Ryan Coleman
In his penultimate role, Klaus Kinski plays a knock-off version of the infamous count against a stunningly eerie Venice backdrop.by Rocco T. Thompson