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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: “MALIGNANT” is WTF for both the right and wrong reasons
Too often, it’s hard to know whether Wan and co. are kidding or not.
by
Michael Gingold
Director Brandon Christensen Returns With “Superhost”
The writer/director's follow-up to 2019's "Z" is set to do for vacation rentals and bed-and-breakfasts what "Jaws" did to beaches
by
William J. Wright
Filip Jan Rymsza On His Genre-Blurring High-Rise Freakout, “Mosquito State”
The director discusses his Shudder-exclusive psychological body-horror effort.
by
Rue Morgue Manor
Ryan Purcell on Balancing Visual Beauty With Terror in “The Stairs”
We sit down with the longtime cinematographer to discuss the project, the challenges of shooting outdoors, and the perks and…
by
Rue Morgue Manor
FrightFest ’21 Review: Keep your eyes on “SLAPFACE”
An intelligent and sometimes deeply disturbing study of how trauma echoes down past the initial tragedy, with a creepy creature…
by
Michael Gingold
Masumi On Her Breakout Role In Vicente Amorim’s “Yakuza Princess”
The Japanese-American singer and actress discusses her changing attitudes towards representation and how she narrowly avoided becoming a pop sensation…
by
William J. Wright
“Malignant” Promises Both A Return-To-Form and Departure for James Wan
During a recent round table interview, the "Conjuring" director talked about the film's conception and sisterly themes. Plus, we share…
by
Rocco T. Thompson
Ricardo Islas Opens Our Eyes to His Role in “The Last Matinee”
An icon of South American horror films, the director/actor talks about his starring role as in Maxi Contenti's new giallo…
by
Kevin Hoover
Star and Producer Elijah Wood Discusses New Ted Bundy Drama, “No Man of God”
Wood tells us what it was like having a legendary FBI profiler as a resource and why he felt it…
by
Rocco T. Thompson
FrightFest ’21 Review: “THE CHANGED” for the better
What’s fresh and tantalizing in THE CHANGED is how seductive the change itself becomes to some of the small band…
by
Michael Gingold
FrightFest ’21 Review: A silly case of “CRABS!”
I always enjoy a good nature-amok flick, or even a not-so-great one that’s been done with enthusiasm, so I had…
by
Michael Gingold
Cody Calahan and Chad Archibald On Serial Killer Comedy, “Vicious Fun”
The minds behind the Toronto-based production company discuss the company's founding and getting their latest creative endeavor from page to…
by
Rue Morgue Manor
Brittany Allen Discusses Her Dynamic Dual Careers and “American Horror Stories”
The multi-talented actress/composer talks about the new Hulu series and explains what changes are desperately needed within the film composing…
by
Rue Morgue Manor
Exclusive Interview: Rebecca Hall on the scary complexities of “THE NIGHT HOUSE”
The actress' compelling turn gives this chilling supernatural drama a great deal of its impact.
by
Michael Gingold
Midnight Syndicate Discusses 25 Years of Fright And New Release, “Bloodlines”
The horror music masters stop by to chat about their live show and new mini album.
by
William J. Wright
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