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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: The new “SCREAM” earns its screams
It succeeds in achieving that balance necessary for a “requel” to work: giving fans the familiar elements they want with…
by
Michael Gingold
Tokyo Drag City: Die Schwarze Frau’s CASKET OF HORRORS
We peer into the darker corners of Japan's drag scene.
by
kleurvision
Exclusive Interview: Director Randall Okita explains his vision behind “SEE FOR ME”
He aimed to bring character authenticity to the tension of the movie’s night-of-survival scenario, and delivered both.
by
Michael Gingold
Review: Spanish Cult Horror Classic, “Arrebato” Stuns In 4K
Altered Innocence has brought Spanish filmmaker Iván Zulueta's 1979 cult classic back to life for a new generation.
by
William J. Wright
Return to Terror In “Tom Holland’s Fright Night”
Nostalgia and new nightmares manifest in this first offering from comics publisher American Mythology and James Kuhoric.
by
kleurvision
13-Year-Old Nolan Tucker Makes A Bloody Splash With Debut Feature, “608”
Heavily influenced by independent horror of the late '70s, Tucker's debut might best be described as "Home Alone" as envisioned…
by
William J. Wright
Movie Review: “SEE FOR ME” is well worth a look
Throughout, it’s clear that a lot of thought went into bringing a little something extra to this premise.
by
Michael Gingold
Exclusive Interview: Actor Skyler Davenport navigates the sightless scenario of “SEE FOR ME”
Their starring role is far from the typical visually impaired heroine.
by
Michael Gingold
Caryn Coleman on Why the Future of Horror is Boldly, Brazenly Female
We sit down with the founder of The Future Of Film Is Female to discuss the foundation's fight to create…
by
Jenn Adams
Patrick Ridremont on the Monster Within “The Advent Calendar”
We sit down with the Belgian director to talk about moral choices, ambiguous endings, and Ich, the monster who lives…
by
Jenn Adams
Eduardo Rodriguez Discusses New Film “The Darkness of the Road”
The new film from the director of 2013's "Fright Night Part 2" is available now from Uncork'd Entertainment.
by
Rue Morgue Manor
Movie Review: “THE SCARY OF SIXTY-FIRST” takes on a true-life terror
It harks back to the horror and exploitation films of the ’70s and ’80s, which directly addressed then-current social issues…
by
Michael Gingold
“TITANE”: Julia Ducournau talks one of 2021’s most celebrated horror films
This study of obsession further confirms Ducournau as a singular talent on the international genre scene.
by
Michael Gingold
Michael Gingold’s Best Horror Films of 2021
The films on this top-11 list run the gamut of subjects, approaches and voices behind the camera.
by
Michael Gingold
Molly C. Quinn on Bringing “Agnes” to Life Behind (and In Front Of) The Camera
The multi-hyphenate talent discusses her dual roles as Executive Producer and star of Mickey Reece's surprising indie horror hit.
by
Rue Morgue Manor
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