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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Exclusive Interview: Filmmakers Justin Benson and Aaron Moorhead take us into “THE ENDLESS”
In 2012, a strange and challenging blend of science fiction and horror called RESOLUTION began its festival tour, establishing directors…
by
Michael Gingold
Movie Review: “A QUIET PLACE” makes a big noise on the horror scene
A variation on the postapocalyptic-terror genre that is as frightening as it is moving—and that’s plenty.
by
Michael Gingold
Exclusive Interview: The creators of Dread Central Presents’ “#SCREAMERS” on viral horror
We’ve all jumped while watching a “screamer” video on-line, and now a full feature aims to scare you with the…
by
Michael Gingold
Movie Review: Smoke (and blood) gets in your eyes in “4/20 MASSACRE”
This self-proclaimed “first-ever stoner slasher” demonstrates an admirable willingness to go beyond trope…if, alas, with somewhat mixed results.
by
Michael Gingold
“ASH VS. EVIL DEAD” AND A HOST OF CRITICS
What do you get when you combine Starz’s envelope-pushing programming and one of the most beloved dark comedy franchises in…
by
kleurvision
Movie Review: “Ghost Stories” is an anthology ode to Amicus
Andy Nyman and Jeremy Dyson have created a perfect synthesis of theatrical stage magic and cinematic optic trickery, the likes…
by
kleurvision
What The Fest?! ’18 Movie Review: Frank Henenlotter Returns With “Boiled Angels: The Trial of Mike Diana”
The story of maligned artist Mike Diana from acclaimed director Frank Henenlotter.
by
kleurvision
BUFF ’18 Review: All hail “The Queen of Hollywood Blvd”
We take a look at Orson Oblowitz's beautifully violent crime drama.
by
Deirdre Crimmins
RETRO RECOMMENDATIONS: “HOUSE OF WAX” (1953)
Ruthless and remarkable, Vincent Price lights up the Silver Screen as the diabolical Henry Jarrod in this week's Retro Recommendation:…
by
kleurvision
BOOK REVIEW: “THE GONE WORLD” IS TIME-TRAVELING TERROR AT ITS MOST EPIC
A dazzling convergence of the old with the new; one that’s sure to leave your mind jellied and your body…
by
Bryan Yentz
THE POWER OF CHRIST BUNNY COMPELS YOU TO WATCH THESE EASTER HORROR SHORTS
Celebrate Bloody Bunny Sunday the horror way with a selection of Easter Horror Shorts.
by
kleurvision
Exclusive comments/NSFW photos: Filmmaker and actress take us inside the most shocking “TERRIFIER” murder
The evil-clown chiller TERRIFIER showcases a series of very gruesome slayings by its costumed and face-painted villain, but one stands…
by
Michael Gingold
BUFF ’18 Review: “The Ranger” has had it up to here with these damn punks
A look at the new horror film by Jennifer Wexler.
by
Deirdre Crimmins
Movie Review: “AGAINST THE NIGHT”…and imagination…and common sense…
The only scary thing about AGAINST THE NIGHT is that it proves even the most underachieving let’s-go-check-out-the-haunted-place flick can achieve…
by
Michael Gingold
Exclusive: Joshua Leonard compares “UNSANE” to “BLAIR WITCH PROJECT”—and Larry Fessenden’s “DEPRAVED”
UNSANE, the Steven Soderbergh psychothriller that opened Friday, features as its villain Joshua Leonard, whose horror résumé stretches back to…
by
Michael Gingold
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