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Rue Morgue's Communications Manager, Jamie Berardi, reviews Blumhouse's latest film, TRUTH OR DARE.

The Jaggers have done a fine job replicating vampire lore, but haven’t done anything new with it... It’s this sticking…

A love letter to the horror movie hostess format commercialized in the 80s, DEAD BY MIDNIGHT excels in some places…

We explore South Korea's most famous haunted location in Jung Bum-Shik's new found-footage flick!

Talking to The Damned’s Dave Vanian about the band’s new album EVIL SPIRITS, why crowdfunding is punk rock, and how…

WILDLING is an engaging film that addresses its themes with a delicate touch, all the while delivering the savage goods…

Coming of age comes with savage side effects in WILDLING, the ominously stylish first feature by director Fritz Böhm. He…

Ultimately, with a lot of exposition and rules-sussing to wade through, TRUTH OR DARE isn’t thrilling or scary enough.

In appreciation of one of the best slasher throwbacks, remembered today for re-invigorating genre cinema in the early 2000s. 

Paying blatant homage to films like Maniac, Bad Lieutenant and Taxi Driver, YOU WERE NEVER REALLY HERE starts off raw…

It comes off like a college-level production, rife with college-level writing, acting and go nowhere storytelling. It’s as one-note as…

The filmmaker tells us the truth about his new Blumhouse frightfest.

Above all, the horror in AYLA is that of human vulnerability, in which emotion can breed quiet but destructive monsters.

It is, at turns, wild and simmering, affecting and harrowing, funny and brutal, ugly and beautiful, brutal and uplifting.

A prequel of sorts to Nalo Hopkinson's acclaimed 1998 book BROWN GIRL IN THE RING, BROWN GIRL BEGINS is a…