Skip to main content
Skip to footer
Opens in a new tab
Subscribe
Search the Manor
Search
×
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Exclusive Interview: “PLEDGE” producer Keaton Heinrichs talks monstrous beginnings and production horrors
Opening in select theaters and on VOD this Friday from IFC Midnight, PLEDGE is a harrowing descent into frat-house hell,…
by
Michael Gingold
RETROSPECTIVE: URBAN SUSPENSE – A LOOK AT “THE FRIGHTENERS” (1972-1973) ANTHOLOGY TV SERIES
The psychological suspense/horror of forgotten anthology TV series "THE FRIGHTENERS"
by
kleurvision
Movie Review: Sanity gets interrogated in “THE HARROWING”
Despite its moments of bombast and creature horror, a nuanced story of the tenuous nature of human perception and the…
by
Michael Gingold
Movie Review: “ESCAPE ROOM” can’t break out of formula
The best thing about ESCAPE ROOM, appropriately, is the escape rooms. The many different and well-realized environments that the characters…
by
Michael Gingold
Michael Gingold’s Best Horror Films of 2018
With 2018 behind us, it’s time to look back on a year that gave us quite a variety of frightening…
by
Michael Gingold
FRIGHTS FOR TYKES REVIEWS “EVEN SCARY THINGS GET THE BLUES”
EVEN SCARY THINGS GET THE BLUES is a fearless little book of frighteningly good verse and illustrations.
by
kleurvision
Sinister 7: MAURIZIO GUARINI on 40 years of the “DAWN OF THE DEAD” soundtrack
The original Goblin lineup comes together to release FEARLESS (37513 Zombie Ave), which celebrates both the 40th anniversary of George…
by
Jeff Szpirglas
MOVIE REVIEW: SEEING, NOT BELIEVING, IN “BIRD BOX”
The world ends, but you can't look in "BIRD BOX"
by
kleurvision
Movie Review: Make a resolution to watch Blumhouse/Hulu’s “IN THE DARK: NEW YEAR, NEW YOU”
Director Sophia Takal’s achievement is that she’s crafted something relatably scary out of the personal emotions and tensions attendant to…
by
Michael Gingold
Movie Review: “BETWEEN WORLDS”—All aboard for the next Nicolas Cage cult classic
Although its plot hinges on reincarnation, BETWEEN WORLDS isn’t really a horror film, and in fact it doesn’t fit into…
by
Michael Gingold
RETROSPECTIVE: X-MAS WITH THE DEAD – “DEAD OF NIGHT: THE EXORCISM” (1972)
I’d like to draw attention to an excellent installment of a short-lived, now mostly lost (only 2 – of 7…
by
kleurvision
RUE MORGUE TV: a retired Homicide Detective reviews “THE HOUSE THAT JACK BUILT”
We invited CHRIS BUCK, former Detective Sergeant of the Toronto Homicide Squad, to get procedural on Lars von Trier's new…
by
Rue Morgue Manor
MOVIE REVIEW: “SCARECROWS” is good for a laugh but skimps on gore
SCARECROWS is a funny, well-cast, well shot, and an overall well made little film that deserves to be seen at…
by
kleurvision
Exclusive: Director talks NYC slasher movie “CENTRAL PARK”
Debuting today on VOD and DVD, writer/director Justin Reinsilber’s CENTRAL PARK sends a psychopath into the titular New York City…
by
Michael Gingold
MOVIE REVIEW: “CHRISTMAS BLOOD” IS WORSE THAN COAL IN YOUR STOCKING
CHRISTMAS BLOOD does scratch a gorehound's itch for merciless slaughter, but won’t keep the pack salivating beyond a beer-binging rental.
by
Bryan Yentz
←
1
…
125
126
127
128
129
…
154
→