Columns
PIERCING is the second from Nicolas Pesce, who also created 2016's gross and beautiful EYES OF MY MOTHER. Here, he…by Deirdre Crimmins
Roxy Shih's re-imagining of the vampire mythos is intellectually bloodless.by Rocco T. Thompson
This transcendent and strange sophomore offering from Nicolas Pesce proves THE EYES OF MY MOTHER was no fluke.by Michael Gingold
Hannah Fierman returns as the winged seductress from V/H/S in SIRENby kleurvision
More than 25 years after its original release, Ivan Nagy's SKINNER still retains its allure as a gruesome serial killer…by Rue Morgue Manor
Federico Caddeo’s feature-length ALL THE COLORS OF GIALLO gathers historians, directors, writers, and trailer extracts to trace the history of…by Rue Morgue Manor
A surreal hymn to stifled creativity and pointless, procrastinating compulsion, crafted from cardboard and parcel tape.by Alex Deller
We sat down with Kajganich at last year’s Fantastic Fest to discuss adapting the beloved Dario Argento classic for new…by Deirdre Crimmins
For all its familiarity, director/co-writer Lee Cronin treats his material with an adult, somber point of view that holds the…by Michael Gingold
A visual work of cinema scholarship that has a lot to offer for both casual viewers and rabid devotees of…by Michael Gingold
The Oscar-winning prosthetics wizard discusses a new nightmare and classic creatures.by Michael Gingold
Throats are slit, bodies pile up, the mob demands more flesh... in the stage version of this horror-musical classicby kleurvision
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the…by Bryan Yentz
After a year of playing festivals around the globe, Mark Savage's PURGATORY ROAD hits disc next month, and Savage gave…by Michael Gingold
Combining past characters, the filmmaker tries to do a little bit of everything and doesn’t do quite enough of anything.by Michael Gingold