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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Movie Review: “OVERLORD” offers simple, spectacular, splattery pleasures
It brings plenty of energy and technical savvy to the table, even if it doesn’t offer much in the way…
by
Michael Gingold
Exclusive Interview: Director Chad Archibald on Black Fawn Films’ “THE HERETICS”
The Canadian filmmaker discusses this nightmarish ride into hell.
by
Michael Gingold
USAopoly Makes A Monopoly Out Of “Five Nights at Freddy’s”
USAopoly have released another board game related to their Five night at Freddy's line, this time around it's Monopoly: FIVE…
by
Chris Hammond
Movie Review: “DEATH HOUSE” is completely expendable
DEATH HOUSE’s only value is as a game of Spot-the-Celebrity—which at least provides a distraction from the tackiness of the…
by
Michael Gingold
Exclusive Interview: Actor Lance Reddick on “MONSTER PARTY,” mentoring movie murderers and “JOHN WICK: CHAPTER 3”
A familiar face from TV’s FRINGE and many others, Lance Reddick has one of his most intriguing roles in the…
by
Michael Gingold
Movie Review: “MONSTER PARTY” is worth attending
A sort of mashup of DON’T BREATHE and GET OUT, MONSTER PARTY has enough unique character beats and creative nastiness…
by
Michael Gingold
Tomb of the Spine-Tingling Tome #2: Five Post-Halloween Reads to Keep the Jack O’Lanterns of Your Imagination Aglow
With Halloween in our taillights, why not continue to enjoy the unique, mind-possessing heebie-jeebies and sinister flights of fancy only…
by
Michael Gingold
Exclusive Interview: Veteran horror producer Cary Granat on the fresh possession perspective in “WELCOME TO MERCY”
The former Dimension Films head is back in the horror business, putting a fresh spin on a supernatural staple.
by
Michael Gingold
“Clue: Five Nights At Freddy’s” is a welcome update on a classic game
USAopoly have released the classic board game Clue with a twist in its CLUE: FIVE NIGHTS AT FREDDY'S EDITION with…
by
Chris Hammond
Brooklyn Horror Festival Review: “POSSUM” burrows into your psyche
This is a true horror film, devoted to ratcheting up discomfort and a feeling of dread.
by
Michael Gingold
Brooklyn Horror Festival Review: “KNIFE + HEART” Is A Perfectly Titled Neo-Giallo
Set in the world of late 70's Italian gay pornography, Knife + Heart feels like the cinematic lovechild of John…
by
kleurvision
Exclusive Interview: Filmmaker Justin P. Lange and actress Nadia Alexander take us into “THE DARK”
Out today in select theaters and on VOD, THE DARK puts a special, compelling and frightening spin on the undead…
by
Michael Gingold
Movie Review: “THE SUPER” isn’t, but Kilmer gives good creep
The highlight of THE SUPER is Val Kilmer’s performance, and not for the reasons you might expect.
by
Michael Gingold
Brooklyn Horror Fest Review: “Welcome To Mercy” is a must-watch for possession film completists
Welcome To Mercy follows a young woman (Kristen Ruhlin, who also wrote the film) and her daughter as they travel…
by
kleurvision
Actors talk their roles in Amazon’s “LORE”
Today, Amazon Prime Video unleashes six new episodes of LORE, the series based on the hit podcast by Aaron Mahnke.…
by
Michael Gingold
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