Having world-premiered at Cinequest in 2021, and following a successful festival run, Alexandra Loreth (writer/star) and Kevin Pontuti (writer/director)’s indie co-creation THE YELLOW WALLPAPER brings the 1892 short story from the page to the screen.
Genre fans will recognize the devices Okuno employs and suspect how they’ll pay off, and the director skillfully teases those expectations.
Simply put, this is not the preferred comics-based bat man to see on screens right now.
Despite bleeding passion out of every pore, BITCH ASS gets bogged down by its own aspirations.
It’s the most chilling, deeply unsettling horror film so far this year.
