Michael Gingold

It’s the latest in the company’s long series of docs celebrating the underside of film history.

Who needs an exorcism when you can just punch evil in the face?

The New York City cinema event will host a number of genre premieres in June.

The writer/director uses a science fiction/thriller framework to explore complex human emotions, digging deep into themes of mortality and grief.

Take a ride to the dark side with this independent psychothriller.