Michael Gingold

It’s the latest superior scare film to spring from the genre-fertile soil of Australia.

It’s a stark trek through a madman’s mind in the 1974 cult film.

The film has pointed fun with Black pop-cultural tropes and socioracial issues, pitched at just the right balance between horror…

Its emphasis is less on the occult or (for a while) ghastly gore and more on the psychosexual, playing out…

Now, the pesky critters are digging holes in humans.