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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Jenn Adams
Movie Review: “WHAT HAPPENS NEXT WILL SCARE YOU” is Campy Halloween Fun
WHAT HAPPENS NEXT WILL SCARE YOU's deft commentary on clickbait culture is what makes it stand out from the seemingly…
by
Jenn Adams
Movie Review: “DEATH CAST” and the Slasher Made Real
Marinelli’s film confronts us with the reality of what we would actually do in a slasher situation, asking how willing…
by
Jenn Adams
Salem Horror Fest ’21 Review: “6:45” Is a Story of Love, Violence, and Never-Ending Loss
With a clever conceit and an engaging central couple, Craig Singer's time loop horror film is built to last.
by
Jenn Adams
Salem Horror Fest ’21 Review: “Wicked Games” is Brutal, Devilish Fun
Director Teddy Grennan tells the story of a luxurious resort home invaded by masked killers in an innovative way that…
by
Jenn Adams
Salem Horror Fest ’21 Review: “The Free Fall” is a Terrifying Twist on a Familiar Story
Director Adam Stilwell crafts a lush and mysterious psychological horror film that draws the audience in with its stylish atmosphere…
by
Jenn Adams
Syfy’s “Slumber Party Massacre” Out-Satires a Feminist Classic
Esterhazy’s film is a terrifying, funny, heartbreaking, and ultimately empowering re-telling of a story about women, by women, and for…
by
Jenn Adams
Elle Callahan and Elizabeth Mitchell on the Hopeful Message and Female Magic of “WITCH HUNT”
We sit down with the film's director and star to discuss the work that went into creating a horrifying and…
by
Jenn Adams
Movie Review: There Are Few Signs of Life to be Found in Simon Barrett’s “SEANCE”
Barrett steps into the role of director resulting in a vaguely entertaining, if slightly lifeless supernatural slasher.
by
Jenn Adams
“Apartment 413” is An All-Too-Relatable Nightmare
Though completed before the events of 2020, Matt Patterson’s psychological horror film captures life in isolation in minute detail.
by
Jenn Adams
Reflection and Reality in “Mike Flanagan’s OCULUS”
In Mike Flanagan’s 2013 film OCULUS, a sinister mirror known as the Lasser Glass weaponizes reflected reality. It preys on…
by
Jenn Adams
“Royal Jelly” is a Hive Without Honey
Sloppy execution, stilted performances, and an incoherent story keep this feminist fairy tale from ever taking flight.
by
Jenn Adams
Nick Antosca and Lenore Zion On the Demonic Energy Behind “Brand New Cherry Flavor”
The "Channel Zero" alums discuss their new project's nightmare logic.
by
Jenn Adams
Series Review: An Old Myth Gets a Chilling New Chapter in “Chapelwaite”
Epix’s new King-inspired limited series is a straightforward and heart-wrenching tale of classic vampire mythology with real bite.
by
Jenn Adams
Book Review: “Billy Summers” is a Surprisingly Touching Story of Redemption
Stephen King's latest presents some of the author's most endearing personal philosophies in the guise of a hard-boiled crime novel.
by
Jenn Adams
Muscle Cars and Trophy Girlfriends: Objectification and Women as Status Symbols in “Christine”
We examine how Stephen King's novel John Carpenter’s film adaptation highlight the evolving roles of women in American society and…
by
Jenn Adams
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