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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Jenn Adams
Trapped in the Nursery: “THE YELLOW WALLPAPER” and the Horror of Forced Domesticity
Pontuti’s adaptation of this classic story is a masterful depiction of creeping dread that evokes the real horror of the…
by
Jenn Adams
Maidens, Mothers, and Crones: Exploring the Triple Goddess in “YOU WON’T BE ALONE”
Writer and director Goran Stolevski uses a story of witches to examine humanity and the sacred cycles of feminine life.
by
Jenn Adams
Gia Elliot on Women, Monsters, and Taking Back the Night
With its nebulous monster and all-female cast, Gia Elliot’s collaboration with star Emma Fitzpatrick is an original take on the…
by
Jenn Adams
Movie Review: “FLEE THE LIGHT” Is a Spell Missing its Magic
In their feature film debut, writer Jennifer Mancini and director Alexandra Senza's tale of covens and demons admirably depicts witches…
by
Jenn Adams
Final Girls Return: Sally, Laurie, and a New Legacy of Slasher Films
Do legacy slashers truly empower our favorite horror heroines, or do them a disservice by leaving them locked in an…
by
Jenn Adams
Movie Review: “STUDENT BODY” Gets An “A” for Effort, but Fails In Execution
Though there are moments of joy and terror, Lee Ann Kurr's film ultimately commits the cardinal teenage sin; it feels…
by
Jenn Adams
Barbara Crampton on the Unforgiving Mothers of “King Knight” and “Alone With You”
We sit down with horror's grande dame to discuss parenthood, finding truth in comedy, and staying connected while far away.
by
Jenn Adams
Feminist Liberation in “Gretel and Hansel” and “The Witch”
Jenn Adams explores contemporary womanhood as reflected in witch cinema in this new column.
by
Jenn Adams
“YELLOWJACKETS” and Confronting the Needs of Civilization and Survival
Jenn Adams examines Ashley Lyle and Bart Nickerson's horrific feminist answer to William Golding's "Lord of the Flies."
by
Jenn Adams
Killer Communication: Evolving Technology in the “SCREAM” Franchise
We take a look at the ways in which innovations in communication have shaped the slasher series from 1996 to…
by
Jenn Adams
“Dexter: New Blood” Is A Moving Lesson In Reparenting and Recovery
Set ten years after the original series' unsatisfying conclusion, "DEXTER: NEW BLOOD" argues that maybe it’s time for the secrecy…
by
Jenn Adams
Caryn Coleman on Why the Future of Horror is Boldly, Brazenly Female
We sit down with the founder of The Future Of Film Is Female to discuss the foundation's fight to create…
by
Jenn Adams
Patrick Ridremont on the Monster Within “The Advent Calendar”
We sit down with the Belgian director to talk about moral choices, ambiguous endings, and Ich, the monster who lives…
by
Jenn Adams
Movie Review: “GREAT WHITE” Has A Shark Problem
Any successful shark attack movie lives and dies based on two elements: engaging human characters and believable effects. GREAT WHITE…
by
Jenn Adams
Movie Review: “DEAD AND BEAUTIFUL” is an Apt Title for a Gorgeous, but Lifeless Film
Though the film is gorgeous, it is essentially a rather lifeless story dressed up in extravagance.
by
Jenn Adams
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