Columns
Rising horror director Mickey Keating has been exploring insanity for his last few films, and after the monochromatic psychodrama of…by Michael Gingold
Today’s theatrical/VOD release of THE BLACKCOAT’S DAUGHTER has been a long time coming, as it debuted at the Toronto Film…by Michael Gingold
The film makes a virtue out of focusing on the people trying to survive a viral apocalypse rather than on…by Michael Gingold
The latest slow-burn horror sensation is writer/director Osgood Perkins’ THE BLACKCOAT’S DAUGHTER, which chilled audiences to the bone at multiple…by Michael Gingold
Currently playing select theatrical dates around the country (it next opens in Los Angeles and Ithaca, NY on Friday), Agnieszka…by Michael Gingold
For most of the 2000s, Jordan Peele has been making us laugh as an actor, and now he’s about to…by Michael Gingold
Currently playing in New York City and heading to more cities in the coming weeks (see schedule below), THE LURE…by Michael Gingold
It doesn’t offer much that’s fresh, and the promised battle royale between ghost girls is a letdown.by Michael Gingold
The pitch on the documentary 78/52 is that it’s an in-depth exploration of the shower scene in Alfred Hitchcock’s PSYCHO,…by Michael Gingold
Debuting director Glenn Douglas Packard has a background as an Emmy-winning choreographer—which might explain why PITCHFORK is the same old…by Michael Gingold
Polish genre film is certainly having one hell of a year. From the archetypically murderous mermaid musical THE LURE to…by Michael Gingold
A few years back, a marvelously atmospheric horror short called FOXES played the festival circuit, showcasing a pair of burgeoning…by Michael Gingold
A scary and imaginative take on seeing dead people.by Michael Gingold
It’s like Korea’s WORLD WAR Z, and it knocks the American one on its ass.by Michael Gingold
If you see only one horror/fantasy/romance/musical/mermaid movie this year… But seriously, the achievement of THE LURE is that it manages…by Michael Gingold