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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Search the Manor
Search
×
Columns
Movie Review: “A QUIET PLACE: DAY ONE” is a moving metropolitan monster saga
It is really because we care so much about the imperiled duo that DAY ONE emerges as a worthy addition…
by
Michael Gingold
ANALOG ABATTOIR: “A DAY OF JUDGMENT” Is Part Southern-Fried Morality Play, Part Supernatural Slasher
Dr. Benny Graves is back with the cure for the common horror flick! A town full of sinners meets a…
by
Dr. Benny Graves
“THE EXORCISM” Interview, Part Two: Joshua John Miller on his dad’s “EXORCIST III” role—and his own “HALLOWEEN III” role
The child actor turned filmmaker and his father both took part in cult-classic threequels.
by
Michael Gingold
“THE EXORCISM” Interview, Part One: Joshua John Miller and M.A. Fortin on making meta-horror, the long road to release and more
The duo incorporated personal themes to make this different from the usual possession picture.
by
Michael Gingold
Tribeca ’24 Movie Reviews: “HUNTERS ON A WHITE FIELD,” “THE WEEKEND” and “#AMFAD: ALL MY FRIENDS ARE DEAD”
From around the world come three films with very different approaches to the human urge to kill.
by
Michael Gingold
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