Columns
You might think that the scariest thing in this film would be nightly, violent attacks by a terrifying man, but…by Deirdre Crimmins
It makes women’s horrors real under the guise of a fairy-tale homage.by Deirdre Crimmins
YUMMY puts its zombie outbreak into a shady Eastern European hospital and delivers a pretty solid lineup of gore gags…by Deirdre Crimmins
Director/producer Cody Calahan and stars RJ Mitte and Peter Outerbridge discuss delivering dramatic thrills and chills.by Jessica Buck
Horror heroine Caroline Williams shines as a DJ with a nasty Stoker-esque bite and scores to settle.by Michael Gingold
It's the screenwriter’s latest stop on a long road trip through the darkest regions of the human psyche.by Michael Gingold
This sequel lacks the ruthless focus the original maintained even with its large ensemble, and feels mechanical instead of surprising.by Michael Gingold
It doubles as an aesthetic pleasure-trip back through four related but distinct eras of horror cinema.by Michael Gingold
OPEN 24 HOURS ultimately doesn’t engage as the study of emotional survival it’s aiming for.by Michael Gingold
A terrifying glimpse into the societal trust we place in health-care workers and the often blurred lines between mercy and…by Michael Gingold
A unique and engaging horror/mystery, SLEEP succeeds on multiple levels.by Michael Gingold
The filmmaker cuts into the question of real vs. media violence and more.by Michael Gingold
Social distancing is easier with your nose in a bloody good book.by Michael Gingold
CUT AND CHOP appropriately dissects the pseudo-intellectual excuses we heap on artists, whose behaviours would normally earn them a punch…by Rue Morgue Manor
The real crime is your stolen time, and the real victim is cinema, who is beaten to death.by Rue Morgue Manor