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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
FrightFest ’20 Review: “AQUASLASH” treads water too long before sliding into gleeful depravity
AQUASLASH dedicates too much time to its petty squabbling, illicit affairs and shady real-estate deals, and not enough time to…
by
kleurvision
FrightFest ’20 Review: “THERE’S NO SUCH THING AS VAMPIRES” is a horror road movie running on fumes
Though this flick kicks off at 100 miles an hour, unfortunately, once the wheels stop rolling, so does the movie’s…
by
kleurvision
Fantasia ’20 Review: “SLAXX” Brings Killer Jeans Into Style
It is possible to have a ton of fun watching a pair of haunted, autonomous pants on an overnight killing…
by
Deirdre Crimmins
Arrow Video Frightfest Digital Edition: “Playhouse” Is An Atmospheric Highlands Riff On Poe
The Northern U.K. provides the perfect backdrop for Fionn and Toby Watts' debut feature!
by
Rocco T. Thompson
Fantasia ’20 Review: “CLIMATE OF THE HUNTER” offers a gloriously quirky cinematic feast
Intentionally embracing style over substance, every square inch of the film oozes deliberate and beautiful homage.
by
Michael Gingold
Movie Review: The ghosts of war and evil entities compete for attention in “THE UNFAMILIAR”
PTSD, folk horror and family drama collide in this dread-inducing supernatural/psychological horror film.
by
Michael Gingold
Movie Review: No one escapes the gorefest in “THE BARGE PEOPLE”
A gory good time is guaranteed in this British creature-feature throwback!
by
Grace Detwiler
Fantasia ’20 Review: “UNEARTH” plants seeds of eco-horror within a well-crafted rural drama
Much like the terrifying dangers trapped dormant beneath the Lomacks’ field, UNEARTH is also a heartbreaking peek at realities known…
by
Michael Gingold
Fantasia ’20 Review: Lots of reasons to be afraid of “THE DARK AND THE WICKED”
Bryan Bertino has crafted a study of evil preying on human fragility that feels timeless and terrifying.
by
Michael Gingold
Fantasia ’20 Review: “THE COLUMNIST” reminds you to never read the comments
The Dutch horror comedy THE COLUMNIST has plenty of bloody fun, all at the expense of online trolls.
by
Deirdre Crimmins
Fantasia ’20 Review: “THE BLOCK ISLAND SOUND” finds eerie menace off the mainland
It’s chilly and personal in the right places, keyed into a frequency that’s hard to shake.
by
Michael Gingold
Fantasia ’20 Review: “THE OAK ROOM” spins a worthwhile web of stories and secrets
The darker themes of human nature and the secrets men keep hang over THE OAK ROOM like a waterlogged cloud…
by
Michael Gingold
Fantasia ’20 Review: “BLEED WITH ME” Drips Intensity
BLEED WITH ME is not flashy or gory and monstrous. However, it does stand as an example of what can…
by
Deirdre Crimmins
Director and cast talk “THE NEW MUTANTS,” the scarier side of the Marvel Universe
Josh Boone stayed true to the comics while he and his team had some chilling times on set.
by
Michael Gingold
Review: Reach For The Sky! “The Pale Door” Robs Itself Of Fun
Cowboys face off against witches in Aaron B. Koontz's horror western.
by
Rocco T. Thompson
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