Review

Twenty different artists, twenty tales to help stave off cabin fever, and the chance to help out some poor critters…

Jessy Dupont’s DEEP WEB is a stunningly shot film which is frequently and frustratingly let down by some shoddy acting.

M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.

CASE 347 offers an uncanny slow-burn unlike most films of its fount footage ilk.

It raises “everything and the kitchen sink” to a cosmic level and revels in its ability to annihilate convention.