Review
Mea culpa for not previously giving big critical respect to THE CURED. Opening in a number of additional cities today,…by Michael Gingold
This version of DEATH WISH is nowhere near as terrible as some are making it out to be, but it…by Bryan Yentz
If you're a lover of terrifying short tales and "Scary Stories to Tell in the Dark", you're going to want…by kleurvision
MIDNIGHTERS is a film full of emotional resonance, thought-provoking moral conundrums and pulse-priming action sequences, beautifully rendered and full of…by Michael Gingold
"THE DOLLMAKER" aims to pretty much take your all your feelings, step all over them, and throw them to the…by kleurvision
Alex Garland’s adaptation of Jeff VanderMeer’s novel calls to mind ALIEN, in that it applies superlative craftsmanship to what is…by Michael Gingold
We take a look at director Xavier Gens' latest offering COLD SKIN, adapted from a Catalan novel written by Albert…by Bryan Yentz
Perhaps not all the good ones are taken. Yet, as audiences immersed in Vietnamese-American director Derek Nguyen’s lush, disquieting and…by Michael Gingold
Rue Morgue's Communications Manager, Jamie Berardi, reviews John Callas' indie feature-film, NO SOLICITORS.by Mariam RM
THE VISITORS, follows three teenagers who decide to kill some time and visit an abandoned factory that’s supposedly infested with…by kleurvision
Universal’s mastery of the macabre was waning to a ridiculous degree in the mid-to-late 1940s. The sentiment seemed that the…by kleurvision
I took a trip, was welcomed to Willits and all I got was this negative review.by Bryan Yentz
Although HELLRAISER: JUDGMENT is the 10th in the endless film series derived from Clive Barker’s mythology, it could very easily…by Michael Gingold
The Dino De Laurentiis production ORCA may have been just one of the large school of nature-amok flicks to swim…by Michael Gingold
David Bruckner has made such a strong impression with his work in omnibus movies for so long that it’s a…by Michael Gingold