Review
In appreciation of one of the best slasher throwbacks, remembered today for re-invigorating genre cinema in the early 2000s.by kleurvision
Paying blatant homage to films like Maniac, Bad Lieutenant and Taxi Driver, YOU WERE NEVER REALLY HERE starts off raw…by Bryan Yentz
It comes off like a college-level production, rife with college-level writing, acting and go nowhere storytelling. It’s as one-note as…by Bryan Yentz
Above all, the horror in AYLA is that of human vulnerability, in which emotion can breed quiet but destructive monsters.by Michael Gingold
It is, at turns, wild and simmering, affecting and harrowing, funny and brutal, ugly and beautiful, brutal and uplifting.by Michael Gingold
A prequel of sorts to Nalo Hopkinson's acclaimed 1998 book BROWN GIRL IN THE RING, BROWN GIRL BEGINS is a…by Rue Morgue Manor
A variation on the postapocalyptic-terror genre that is as frightening as it is moving—and that’s plenty.by Michael Gingold
This self-proclaimed “first-ever stoner slasher” demonstrates an admirable willingness to go beyond trope…if, alas, with somewhat mixed results.by Michael Gingold
What do you get when you combine Starz’s envelope-pushing programming and one of the most beloved dark comedy franchises in…by kleurvision
Andy Nyman and Jeremy Dyson have created a perfect synthesis of theatrical stage magic and cinematic optic trickery, the likes…by kleurvision
The story of maligned artist Mike Diana from acclaimed director Frank Henenlotter.by kleurvision
We take a look at Orson Oblowitz's beautifully violent crime drama.by Deirdre Crimmins
Ruthless and remarkable, Vincent Price lights up the Silver Screen as the diabolical Henry Jarrod in this week's Retro Recommendation:…by kleurvision
A dazzling convergence of the old with the new; one that’s sure to leave your mind jellied and your body…by Bryan Yentz
A look at the new horror film by Jennifer Wexler.by Deirdre Crimmins