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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Review
Fantasia ’18 Review: You can’t take your eyes off “CAM”
The titillation remains between the people on screen, as the thrills the movie seeks to elicit from the audience are…
by
Michael Gingold
Movie Review: Love, loss and nasty spirits converge at “OUR HOUSE”
A cautionary tale about the iniquities and violence that can be visited upon corporeal humans when we veer into the…
by
Michael Gingold
Fantasia ’18 Review: “CHUCK STEEL: NIGHT OF THE TRAMPIRES” is an ’80s-homaging, puppet-splattering blast
Just when you thought it wasn’t safe to be politically incorrect, along comes CHUCK STEEL: NIGHT OF THE TRAMPIRES to…
by
Michael Gingold
Fantasia ’18 Review: “PUPPET MASTER: THE LITTLEST REICH” makes you squirm for the wrong reasons
On one hand, it’s dumb, gory fun with familiar little baddies; on the other hand, using the vernacular of the…
by
Michael Gingold
Movie Review: “Euthanizer” is a Finnish Traumedy for the Animal-Loving Misanthrope
We take a look at Teemu Nikki's gutsy debut feature!
by
Rocco T. Thompson
Fantasia ’18 Review: The dead have scary things to say in “THE NIGHTSHIFTER”
With his long-awaited feature directorial debut, Dennison Ramalho solidifies his status as a serious talent on the international horror scene.
by
Michael Gingold
Fantasia ‘18 Review: “UNFRIENDED: DARK WEB” is a serviceable horror film but strains credulity
We review the latest entry into the Unfriended horror movie franchise.
by
Deirdre Crimmins
Movie Review: “DOGGED” has real bite as a folk-horror tale
A ’70s-tinged narrative that morphs from naturalistic to surrealistic to nightmarish with surprising ease.
by
Michael Gingold
Cinepocalypse ’18 Review: “Satan’s Slaves” sows the seeds of terror
Even those who are well versed in Indonesian horror should appreciate SATAN’S SLAVES for being a solid horror film, in…
by
Deirdre Crimmins
Movie Review: “DARKEN” reveals a frightening and enthralling multiverse
The filmmakers prove themselves incredibly adept at conceiving and believably erecting hitherto unseen worlds hidden within worlds.
by
Michael Gingold
RETRO RECOMMENDATIONS: “INTERVIEW WITH THE VAMPIRE” (1994)
In appreciation of Neil Jordan's film adaptation of Ann Rice's bloodsucking classic.
by
kleurvision
Cinepocalypse ’18 Review: Too much of “GAGS” is a drag
All the characters' quarreling has the effect of crowding Gags himself out of his own movie.
by
Michael Gingold
Cinepocalypse ’18 Review: “AWAIT FURTHER INSTRUCTIONS” demands you watch it
Single-location stories are always attractive to filmmakers working on the independent side, and British director Johnny Kevorkian found a corking…
by
Michael Gingold
Movie Review: “TO HELL AND BACK: THE KANE HODDER STORY” is a killer documentary
Hodder’s willingness to open up about painful subjects elevates TO HELL AND BACK above your typical horror-celebrity profile to something…
by
Michael Gingold
Movie Review: “VIDAR THE VAMPIRE” bites into sacred cows
VIDAR THE VAMPIRE isn’t for every taste, and if some of its transgressions are more clever than others, it ultimately…
by
Michael Gingold
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