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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Review
Blu-ray REVIEW: VESTRON VIDEO KEEPS LOVECRAFTIAN MYTHOS ALIVE WITH “DAGON” AND “BEYOND RE-ANIMATOR” BLU-RAY RELEASES
We take a closer look at a pair of Limited Edition Blu-ray releases from Vestron Video.
by
kleurvision
Movie Review: “ALONG CAME THE DEVIL” is a sincere exploration of family ties and demons from hell
Director Jason DeVan is clever and bold enough to give the emotional element as much heft and breathing room as…
by
Michael Gingold
Movie Review: “SLENDER MAN’s” big-screen debut is severely anemic
A series of disjointed vignettes with no real narrative guidance, strewn with cheesy CGI and long stretches of fumbling around…
by
Michael Gingold
Movie Review: “WHAT STILL REMAINS” is a powerful postapocalyptic thriller
Writer/director Josh Mendoza not only displays a deft sense of pacing and characterization, but also proves himself extraordinarily adept at…
by
Michael Gingold
Tomb of the Spine-Tingling Tome #1: The Genre & the Rainbow
Welcome to Tomb of the Spine-Tingling Tome, a new column exploring the darkest corners of literature. For this inaugural edition,…
by
Michael Gingold
Movie Review: “THE MEG” delivers sufficient shark value
A pretty entertaining piece of expensive pulp filmmaking, perfect for late-summer turn-off-the-brain viewing.
by
Michael Gingold
Movie Review: Post-Apocalyptic Practicality Astounds in “The Domestics”
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it…
by
Bryan Yentz
Movie Review: The Slender Man Inspired Short “Let’s Play Dead Girl” Does Anything But Play Nice
Christian Alexander Morán’s LET'S PLAY DEAD GIRL is a short film that explores the motivations that drove two 12-year-old girls…
by
Rue Morgue Manor
Movie Review: “Searching” For More Than A Gimmick?
While the thriller-on-the-internet trope has been done before, SEARCHING offers a tense and engaging experience backed by genuine emotion.
by
Rue Morgue Manor
Movie Review: “BLACK WAKE” gives found footage and the Old Ones a rousing shot in the arm
Despite some stilted moments, BLACK WAKE is a wild, engaging feature that is not at all reluctant to embrace its…
by
Michael Gingold
Fantasia ’18 Review: “MONTRÉAL DEAD END” is provincial literally and figuratively
It might have aimed to put Montreal on the horror map as a hotbed of filmmaking talent, but is so…
by
Michael Gingold
Fantasia ’18 Review: A long, slow trip around the world with “THE FIELD GUIDE TO EVIL”
There just isn’t enough variety to support a nearly two-hour running time across eight different shorts.
by
Michael Gingold
Fantasia ’18 Review: Fans of surreal horror can’t “LUZ” with this one
Writer/director Tilman Singer’s unique mood piece is confounding and engrossing in equal measure.
by
Michael Gingold
Fantasia ’18 Review: Sympathy for a shapeshifter in “LIFECHANGER”
Writer/director Justin McConnell takes a thoughtful approach to the material that still allows for a number of scary and gruesome…
by
Michael Gingold
Fantasia ’18 Review: A slow-burning, bone-chilling world of “HURT”
Once the horror truly takes hold, it doesn’t do so in the expected ways… The places it does eventually go…
by
Michael Gingold
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