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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Review
Brooklyn Horror Festival Review: “POSSUM” burrows into your psyche
This is a true horror film, devoted to ratcheting up discomfort and a feeling of dread.
by
Michael Gingold
Brooklyn Horror Festival Review: “KNIFE + HEART” Is A Perfectly Titled Neo-Giallo
Set in the world of late 70's Italian gay pornography, Knife + Heart feels like the cinematic lovechild of John…
by
kleurvision
Movie Review: “THE SUPER” isn’t, but Kilmer gives good creep
The highlight of THE SUPER is Val Kilmer’s performance, and not for the reasons you might expect.
by
Michael Gingold
Brooklyn Horror Fest Review: “Welcome To Mercy” is a must-watch for possession film completists
Welcome To Mercy follows a young woman (Kristen Ruhlin, who also wrote the film) and her daughter as they travel…
by
kleurvision
REVIEW: Villainy Or HH Holmes’ Own Story
Writer John Strysik and director Jeff G. Rack have created a chillingly intense show with a small but mighty cast…
by
kleurvision
Movie Review: Take a good look at Shudder’s “THE WITCH IN THE WINDOW”
THE WITCH IN THE WINDOW is not just about eliciting fear from the audience, but exploring what it does to…
by
Michael Gingold
Movie Review: “I STILL SEE YOU” infuses teen drama with ghosts and the apocalypse
This frothy, finely rendered supernatural flick could be retitled MY SO-CALLED AFTERLIFE.
by
Michael Gingold
Fantastic Fest ‘18 Review: “STARFISH” is a contemplation on grief and loss
STARFISH screens Saturday, October 13th at the Brooklyn Horror Film Festival.
by
Deirdre Crimmins
MOVIE REVIEW: “DRAGGED ACROSS CONCRETE” WILL GIVE YOU ROAD RASH
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie…
by
Bryan Yentz
BLU-RAY REVIEW: EUREKA CLASSICS goes APE WITH “MONKEY SHINES” REISSUE
Hey hey it's a monkey! George A. Romero ditches the zombie hordes and focuses on a single malevolent capuchin for…
by
Alex Deller
Movie Review: “KNUCKLEBALL” delivers at a deadly pitch
This coming-of-age chiller boasts pulse-quickening suspense and wanton violence.
by
Michael Gingold
Fantastic Fest ‘18 Review: Mockumentary “FERAL” ignites ire and fire
Director Andrés Kaiser's FERAL uses the mockumentary format to its advantage, and keeps us guessing right up to the very…
by
Deirdre Crimmins
Fantastic Fest ‘18 Review: Peter Strickland’s “IN FABRIC” sews terror into one beautiful red dress
Horror seems to have a preoccupation with haunted houses and possessed dolls but Peter Strickland's latest tackles a haunted garment…
by
Deirdre Crimmins
Movie Review: “EXTREMITY” lives up to its title
This journey, rendered tautly and viscerally, proves very nearly as disorienting and dread-inducing for the viewer as it is for…
by
Michael Gingold
Movie Review: “HOUSEWIFE” is a colorfully twisted experience
From minute one, the scenario is stark, compelling and disjointed, like a memory of a Technicolor horror flick you caught…
by
Michael Gingold
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