Review
Federico Caddeo’s feature-length ALL THE COLORS OF GIALLO gathers historians, directors, writers, and trailer extracts to trace the history of…by Rue Morgue Manor
A surreal hymn to stifled creativity and pointless, procrastinating compulsion, crafted from cardboard and parcel tape.by Alex Deller
For all its familiarity, director/co-writer Lee Cronin treats his material with an adult, somber point of view that holds the…by Michael Gingold
A visual work of cinema scholarship that has a lot to offer for both casual viewers and rabid devotees of…by Michael Gingold
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the…by Bryan Yentz
Combining past characters, the filmmaker tries to do a little bit of everything and doesn’t do quite enough of anything.by Michael Gingold
Despite its moments of bombast and creature horror, a nuanced story of the tenuous nature of human perception and the…by Michael Gingold
The best thing about ESCAPE ROOM, appropriately, is the escape rooms. The many different and well-realized environments that the characters…by Michael Gingold
With 2018 behind us, it’s time to look back on a year that gave us quite a variety of frightening…by Michael Gingold
EVEN SCARY THINGS GET THE BLUES is a fearless little book of frighteningly good verse and illustrations.by kleurvision
The world ends, but you can't look in "BIRD BOX"by kleurvision
Director Sophia Takal’s achievement is that she’s crafted something relatably scary out of the personal emotions and tensions attendant to…by Michael Gingold
Although its plot hinges on reincarnation, BETWEEN WORLDS isn’t really a horror film, and in fact it doesn’t fit into…by Michael Gingold
I’d like to draw attention to an excellent installment of a short-lived, now mostly lost (only 2 – of 7…by kleurvision
We invited CHRIS BUCK, former Detective Sergeant of the Toronto Homicide Squad, to get procedural on Lars von Trier's new…by Rue Morgue Manor