• News

RIP William Friedkin

The director who shocked the world with THE EXORCIST has passed away.

Variety reports that filmmaker William Friedkin died today in Los Angeles at age 87. After starting out in documentaries in the 1960s, Friedkin made his narrative feature directing debut with the “Off Season” episode of THE ALFRED HITCHCOCK HOUR in 1965. He then helmed features including the 1968 musical comedy THE NIGHT THEY RAIDED MINSKY’S and the 1970 drama THE BOYS IN THE BAND before making his (huge) breakout with THE FRENCH CONNECTION, the 1971 crime thriller that became a smash hit and won five Oscars, including Best Picture and Best Director.

It was his next feature, however, that became his most enduring success. 1973’s THE EXORCIST, scripted and produced by William Peter Blatty from his novel, became a landmark in the horror genre, garnering raves and controversy from critics and making headlines for the long lines at the box office as well as the sometimes physically intense reactions from audiences. It won Blatty a Best Screenplay Oscar, set a template for countless supernatural shockers to come and remained the highest-grossing fright film until IT in 2017. Friedkin returned to the movie in 2000, reinstating a few deleted scenes (including Linda Blair’s “spider-walk” moment) for THE EXORCIST: THE VERSION YOU’VE NEVER SEEN, which grossed nearly $40 million.

Friedkin followed up with the likes of SORCERER, CRUISING and TO LIVE AND DIE IN L.A., which were box-office disappointments at the time but went on to garner greater critical and fan acceptance and praise. He returned to the horror genre with 1990’s THE GUARDIAN; in 2017, he directed THE DEVIL AND FATHER AMORTH, a documentary about the real-life exorcist employed by the Catholic Church in Rome (and the subject of this year’s movie THE POPE’S EXORCIST); and he himself was the subject of Alexandre O. Philippe’s 2020 doc LEAP OF FAITH: WILLIAM FRIEDKIN ON “THE EXORCIST” (reviewed here). His last film, THE CAINE MUTINY COURT-MARTIAL starring Kiefer Sutherland and Jason Clarke, will premiere at this year’s Venice Film Festival. He will forever be remembered as one of the true game-changers in the horror genre.

Read More

Get The Grim Reader.
Rue Morgue's free newsletter.
Editor's notes.
Cultural insight.
Curated horror across film, books, music, and art.
First looks.
Select previews.
No algorithms.
Join Free

Advertisement

In Print Since 1997

Issue 231

Rue Morgue #231 Jul/Aug 2026

Plus

Inside Rue Morgue #231 – Summer Slasher Issue FEATURES Filmmaker Jane Schoenbrun’s TEENAGE SEX AND DEATH AT CAMP MIASMA guts the slasher formula from the inside out, turning it into a romance about the horror of becoming who you were always meant to be. Plus! GILLIAN ANDERSON and HANNAH EINBINDER unpack Schoenbrun’s radical dismemberment of…

Issue 230

Rue Morgue #230 May/Jun 2026 – RARE

Plus

Inside Rue Morgue #230 FEATURES Filmmaker Curry Barker transforms a simple wish into a spiralling nightmare of love, possession, and bloodshed in his breakout feature OBSESSION. Plus: The story of Barker’s found-footage shocker MILK & SERIAL, which turned a micro-budget experiment into a viral horror breakout. Hollywood made it a monster. History tells a different…

Issue 229

Rue Morgue #229 Mar/Apr 2026

Plus

Inside Rue Morgue #229! FEATURES A nerve-shredding found-footage thriller built around sound, UNDERTONE signals the arrival of a terrifying new voice in Canada’s booming independent horror scene. Plus! Meet the new breed of independent Canadian horror filmmakers behind DREAM EATER, SWEETNESS, HANGASHORE, THE LAND OF NOD and THE CURSE OF GHOST ISLAND. Part post-punk, part…

Issue 228

Rue Morgue #228 Jan/Feb 2026

Plus

Inside Rue Morgue #228! FEATURES He fascinated audiences in 2001 with the French period martial arts horror film BROTHERHOOD OF THE WOLF. Then he followed it up in 2006 by bringing the eerie world of SILENT HILL to cinematic life. Now, visionary director CHRISTOPHE GANS unleashes his latest nightmare with RETURN TO SILENT HILL. Plus!…