“Dracula’s Daughter” Doesn’t Exactly Give You That Weird Feeling
The 1936 sequel to Tod Browning's immortal classic is far too subtle in its sapphic suggestiveness.
The 1936 sequel to Tod Browning's immortal classic is far too subtle in its sapphic suggestiveness.
Though not without its obvious problematic elements, Brian De Palma's thriller handles sex work, therapy, and trans issues far better than many of its notable horror contemporaries.
Alain Guiraudie’s 2013 erotic horror thriller makes carnal selfishness sexy.
In his new column, playwright Justin McDevitt lends a queer eye to your favorite horror flicks.