Review
The director of "May" and "The Woman" offers up a female-centric psychodrama buoyed by three plum performancesby Rocco T. Thompson
THE HEAD HUNTER is an out-of-nowhere horror film with a head full of artistic aspirations that proves a vision can…by Bryan Yentz
ONE OF US has its heart in the right place, but the kitchen-sink approach to resolution rushes the overall experience…by Bryan Yentz
BRAID is less a film and more a vanity project. It’s the very reason people scoff when they hear the…by Bryan Yentz
Where LASSO could’ve been a horror-hybrid spectacle worthy of repeat viewing, it unfortunately chooses to tighten its noose around the…by Bryan Yentz
CHRISTMAS BLOOD does scratch a gorehound's itch for merciless slaughter, but won’t keep the pack salivating beyond a beer-binging rental.by Bryan Yentz
Welcome to the inaugural Far East Extreme, where we cover a Japanese film that delivers thrills on psychological spooks as…by kleurvision
A horror film bereft of originality or reason; developed by filmmakers who had no idea how to reap the benefit…by Bryan Yentz
For those that appreciative their flicks raw and uncompromising, DRAGGED ACROSS CONCRETE isn’t just unforgettable, but the kind of movie…by Bryan Yentz
E-DEMON follows the gamut of cliché with pentagrams, anti-Christ jargon, unrealistic reactions and lots of people screaming – none of…by Bryan Yentz
If you've ever seen a slasher from the eighties and enjoyed the over the top bad acting, buckets of blood,…by Chris Hammond
To call [CARGO] simple is to undermine the word “simple”. It’s less than that. It’s a single-location film equivalent to…by Bryan Yentz
GOOD MANNERS is a film that actively strives to make viewers uncomfortable — in its subject matter, in its insistence…by kleurvision
THE DOMESTICS is obvious in its influences and may not reinvent the wheel, but it sure as hell wraps it…by Bryan Yentz
White-hot off the hell hound’s trail of last year’s DEVIL IS FINE, ZEAL & ARDOR is back and spitting some…by Bryan Yentz