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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
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Review
“Bad Moon” is the “Marley and Me” of Werewolf Flicks
This week in the Sematary, director Eric Red sics a dog at a werewolf in one of the most heartwarming…
by
kleurvision
“SPREE” is a Fun, Blood-Soaked Ride through a Serial Killer’s Socials
Joe Keery turns in a spectacular performance in one of the most entertaining (if not wholly original) new social media…
by
kleurvision
“Blood Vessel” Packs a Forceful Bite
Justin Dix's viciously entertaining Nazi vampire flick is the best way to start your new year!
by
kleurvision
“The Whip and the Body” Doesn’t Know The Meaning Of The Word No
The gothic atmospherics of Mario Bava's erotic mystery can't make up for its more problematic elements.
by
kleurvision
“Apostle” Burns Its Own Trail Through Folk Horror Traditions
Netflix's cult horror film is a compelling fable about the dangers of fundamentalism.
by
kleurvision
Movie Review: “BLINDERS” Really Wants You to Delete Your Facebook Account
Tyler Savage's new neo-noir thriller "BLINDERS" is a slow spiral into chaos that exposes the ways in which our more…
by
kleurvision
Nightstream ’20 Review: “32 MALASAÑA STREET” Soars High But Wrecks The Landing
Spanish director Albert Pintó's Franco-haunted ghost story mucks up the experiences of the marginalized.
by
Ryan Coleman
Nightstream ’20 Review: “Darkness” Resists Easy Categorization
Journalist Emanuela Rossi's debut feature is bizarre, punishing, funny, and wholly unclassifiable.
by
Ryan Coleman
In “Eerie,” Faith Without Works Results in Death
This well-executed traditional ghost story lies buried in Netflix's "Halloween Collection."
by
kleurvision
Movie Review: Creature Feature “TAR” Is A Muddy Mess
Don't get stuck watching this problematic timesuck.
by
kleurvision
Salem Horror Fest ’20 Review: “THE WITCHES OF HOLLYWOOD” Casts An Empowering, Enlightening Spell
Sophie Peyrard's excellent documentary tackles the tangled history of magical women onscreen.
by
Rue Morgue Manor
Fantastic Fest ‘20 Review: “THE STYLIST” Is A Sharp Story With Even Sharper Performances
Jill Gevargizian's debut is one of 2020’s finest horror features.
by
Rue Morgue Manor
Salem Horror Fest ’20 Review: “The Last Thanksgiving” Is A Tasty But Not Fully Satisfying Ode To The Golden Era Holiday Slasher
Writer/director Erick Lorinc serves up a retro-styled stalk 'n slash worth its salt, but fumbles the main course.
by
Rocco T. Thompson
Review: Thai Thriller “The Pool” Is Irresistible Cinematic Junk Food
Ping Lumpraploeng's giddily entertaining thriller is perfect for your next Zoom watch party!
by
Rocco T. Thompson
Review: Rudderless “Lake of Death” Chokes On Its Horror Influences
Nini Bull Robsahm's update of a Norwegian classic is dead in the water.
by
Rocco T. Thompson
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