EXCLUSIVE INTERVIEW: Director Alex Noyer On His Dark Existential Folk Horror, “LOVE IS THE MONSTER”
Finnish folklore and a creepy cult make strange bedfellows in the surreal horror film from the director of "SOUND OF VIOLENCE"
Finnish folklore and a creepy cult make strange bedfellows in the surreal horror film from the director of "SOUND OF VIOLENCE"
The Marché du Film’s 2026 Country of Honour, Japan, was making fright films long before J-horror happened. Sean Plummer explores how Hollywood, folklore, and domestic strife have shaped the Land of the Rising Sun’s last century of scary cinema.
The way horror films get made and seen is constantly evolving. Christopher Heard talks to indie filmmakers about how they plan to share the scares in 2026.
As it heads into its fourth year at Cannes, Pablo Guisa Koestinger's genre powerhouse debuts a world-first vertical-format showcase — and sets its sights on Berlin and Toronto.
The genre hub founded last year at Cannes yields dividends for horror business and fans, with special edition home video releases and original films to come.