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Exclusive trailer: A new snowman cometh in “ABOMINABLE”
Yeti another Bigfoot-like beast rampages through ABOMINABLE, which stalks into release next month. Keep reading for the details, poster and exclusive first look at the trailer.
Trailer and poster appear for IFC Midnight cult thriller “THE OTHER LAMB”
A new dramatic venture into a frightening cult is coming as IFC Midnight prepares to unveil THE OTHER LAMB, and the info, trailer and poster can be seen past the jump.
“SPUNGUNION” and Dark Fiction’s John Boden Moment
A celebration of the author who’s turning horror fiction on its head, with a little help from living legends John Skipp, Brian Keene and others.
Get ready! “Salem Horror Fest” returns October 2020
October 1st through to the 11th, 2020 will be upon us sooner than you think. So start planning!
REVIEW: “TERROR IN WOODS CREEK” takes a stab at the B Slasher Genre
All the makings of an ultra-low budget, 80s slasher flick capturing the B movie feel.
First photos: Black Fawn/Breakthrough and David Koechner have “VICIOUS FUN”
The latest project from Canadian genre specialists Black Fawn Films and Breakthrough Entertainment takes a black-comic look at serial murder. Read on for the details and to check out some new behind-the-scenes pics.
Exclusive trailer and poster: Survival shocker “DEAD BY DAWN”
There are no evil dead in the new DEAD BY DAWN, but rather living and deadly killers hunting human prey. Get an exclusive first peek at the trailer and poster after the jump.
Exclusive Interview: “DISAPPEARANCE AT CLIFTON HILL’s” Albert Shin on directing David Cronenberg and more
The filmmaker chats about his twisty, somewhat autobiographical mood piece.
interview: Connor Jessup of “Locke & Key” speaks about working with Joe Hill, ghosts and more.
If you haven’t binge-watched the first season of Joe Hill’s mind-bending series LOCKE & KEY on Netflix by now, it’s time to get horizontal on your couch and start.
Movie Review: “THE WILD GOOSE LAKE” is a modern Chinese neo-noir
A sort of Chinese take on the neo-noir genre, “The Wild Goose Lake” pulls no punches, breaking with modern Chinese cinematic conventions of self-restraint and censorship.