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Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Subscribe
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Current Issue
Digital Archives
Features
Film
Books
Music
Comics
Games
Collectibles
Essays
Columns
Shoppe
Newsletter
Cart Icon
Search the Manor
Search
×
Columns
Game Review: “Amnesia: Rebirth” Doesn’t Breathe New Life Into The Series
Frictional Games' newest installment of its popular horror title is heavy on story, light on fright.
by
kleurvision
Yecatl Peña Discusses His Ghoulish Creations & Artistic Heritage
We chat with the Mexican linocut artist talks about the history of the form, his punk music background, and "Cannibal…
by
Rue Morgue Manor
Exclusive Interview: Director Christopher Landon talks hitting the Refresh button on slasher films with “FREAKY”
The director has brought a fresh and funny spin to the genre without skimping on the gore.
by
Michael Gingold
Movie Review: “Attack of the Demons” Is An Amazing Animated Curiosity
Eric Power's hand-crafted horror joint delivers rough-hewn thrills and retro charm.
by
Rue Morgue Manor
Exclusive Interview: Sean Patrick O’Reilly Talks About The “Howard Lovecraft” Trilogy
The Arcana CEO/Founder tells us all about his spooky, star-studded animated adventures!
by
Rue Morgue Manor
Movie Review: “They Reach” Will Have You Grasping For Something Better
Sylas Dall's "Stranger Things" ripoff is a tonally inconsistent replica of other nostalgic entertainments.
by
Rue Morgue Manor
Documentary Review: Discover The International Bigfoot In “SASQUATCH AMONG THE WILDMEN”
Darcy Weir’s documentary explores the phenomenon of ‘Wildmen’ sightings from across the globe.
by
Grace Detwiler
Movie Review: “By Night’s End” Is One Helluva First Feature
Writer/director Walker Whited's debut is a solid entry in the home invasion canon.
by
Rocco T. Thompson
Interview: Bill Oberst Jr. on the Insanity that is “Greatland”
The genre stalwart tell us all about his experience filming writer/director Dana Ziyasheva's colorfully bizarre dystopian comedy.
by
Rue Morgue Manor
Movie Review: “KINDRED” keeps you trapped with gradual, inexorable tension
The horrors are psychological, simmering under the surface for most of the running time, yet they hold your attention throughout.
by
Michael Gingold
Exclusive Interview: Composer Chris Thomas On His Score for “Don’t Look Back”
Get to know the musical renaissance man behind the soundscape for Jeffrey Reddick's karmic thriller.
by
Rue Morgue Manor
Movie Review: Evil scribes and Faustian bargains collide in “WRITER’S BLOCK”
This nasty, viscera-festooned literary psychochiller is the microbudget-cinema equivalent of a potboiler.
by
Michael Gingold
Exclusive Interview: Producer Adrienne Biddle on the family terrors of “THE DARK AND THE WICKED”
It's her most frightening collaboration yet with writer/director Bryan Bertino (THE STRANGERS).
by
Michael Gingold
Exclusive Interview: Director André Øvredal comes home for “MORTAL,” and talks future projects
The filmmaker adapts Norwegian mythology into a modern fantasy-thriller.
by
Michael Gingold
Exclusive Interview: Director/co-writer Joe Marcantonio on his gaslighting psychological creeper “KINDRED”
The filmmaker’s gripping feature debut hinges on a few different kinds of familial anxiety
by
Michael Gingold
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