Columns
M.O.M. is a heat-of-the-moment anecdote of outrage without answers. But sometimes, maybe that’s what’s needed.by kleurvision
CASE 347 offers an uncanny slow-burn unlike most films of its fount footage ilk.by Rick Hipson
It raises “everything and the kitchen sink” to a cosmic level and revels in its ability to annihilate convention.by Michael Gingold
It demonstrates writer/director Michael Nader’s knack for building tension out of a basic, scaled-down scenario.by Michael Gingold
Director Tyler Cole and writer/star Aaron Burt on the cast, themes and more of their underseen movie.by Michael Gingold
I thought I had died and gone to some sort of weird, trashy heaven...at first.by Mariam RM
As far as single-location thrillers go, DEAD SOUND isn’t actually bad, it’s just an utterly by-the-numbers film you’re bound to…by kleurvision
Director Tyler Cole and actor-screenwriter Aaron Burt on their smart and timely independent chiller.by Michael Gingold
As it turns out, both sides attacking the film as one-sided ideological propaganda are wrong.by Michael Gingold
A blood-obsessed cult messes with the wrong mind-reading woman in this timely and affecting meditation on control, autonomy and vengeance.by Michael Gingold
Are you a horror fan who’s looking for something a little “extra” out of your event space for your next…by Andrea Subissati
Star Ace Toys ups their game with this impressive and detailed Selene figure.by Chris Hammond
A celebration of the author who’s turning horror fiction on its head, with a little help from living legends John…by Michael Gingold
All the makings of an ultra-low budget, 80s slasher flick capturing the B movie feel.by Rue Morgue Manor
A sort of Chinese take on the neo-noir genre, "The Wild Goose Lake" pulls no punches, breaking with modern Chinese…by Mariam RM